Even with presets, voice actors mess up. Here is what to avoid:

| Mistake | How a Preset Solves It | | :--- | :--- | | Over-compression | A good preset limits gain reduction to 3-5dB max. | | Boosting lows below 80Hz | Preset includes a high-pass filter to remove subsonic rumble. | | Inconsistent loudness | Preset uses "Match Loudness" or "Speech Volume Leveler." | | Digital clipping | Preset ends with a Hard Limiter set to -1dBTP. | | Nasal harshness (1kHz) | Preset includes a -2dB cut at 1kHz with a medium Q. |

This is non-destructive and preferred for single-file mastering.

While presets accelerate workflow, they rely on the input signal. A preset will fail if:

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Adobe Audition Presets For Voice Over Now

Even with presets, voice actors mess up. Here is what to avoid:

| Mistake | How a Preset Solves It | | :--- | :--- | | Over-compression | A good preset limits gain reduction to 3-5dB max. | | Boosting lows below 80Hz | Preset includes a high-pass filter to remove subsonic rumble. | | Inconsistent loudness | Preset uses "Match Loudness" or "Speech Volume Leveler." | | Digital clipping | Preset ends with a Hard Limiter set to -1dBTP. | | Nasal harshness (1kHz) | Preset includes a -2dB cut at 1kHz with a medium Q. | adobe audition presets for voice over

This is non-destructive and preferred for single-file mastering. Even with presets, voice actors mess up

While presets accelerate workflow, they rely on the input signal. A preset will fail if: | | Inconsistent loudness | Preset uses "Match