The Free XPath tool that’ll save 50% of your time.
The Free XPath tool that’ll save 50% of your time.
If you know how to click on buttons, you can write locators with Chropath in seconds.
The world’s most widely used and loved free automation tool.
Eliminates hit and trial locators. Gives you all relevant XPath and CSS selectors for direct use in the automation script.
Verifies, edits, and modifies locators in no time, and places the number of matching nodes and scroll matching elements into the viewing area.
Tired of spending most of your time writing automation scripts while testing and developing? Let our tool do the dirty job for you. Chropath will generate all possible selectors with just a single click and all XPaths can be verified in a single shot. It’s also super simple to write, edit, extract and evaluate all your XPath queries, or to even record all manual steps along with the automation steps with the Chropath Studio.
Don't believe us? You can contact the chropath team at for support and more.
CopyAll and delete all button in multi selector recorder screen and smart maintenance screen.
Colored relative XPath making sure you don’t have to second guess
A clear-all option in place of delete one-by-one, in selector box
Easy access to all useful and critical links in the footer
“Akbar Sadaka Pakshi Pattu” (അക്ബർ സദക പക്ഷി പാട്ട്) is a famous traditional Malayalam folk song or poetic narrative. It tells the story of a legendary encounter between the great Mughal Emperor Akbar and a mysterious, wise bird called Sadaka Pakshi (sometimes interpreted as a parrot or a mythical speaking bird). The song blends historical lore with moral and philosophical lessons, and is often sung in a rhythmic, storytelling style in the folk arts of Kerala, especially in Ottamthullal or simple village ballads.
After a long search, the Sadaka Pakshi is found and brought before the emperor. Akbar asks the bird, “What is the greatest mystery of life?”
Every great folk song has a legend. Akbar Sadaka Pakshi Pattu tells the story of Akbar (not to be confused with the Mughal Emperor), a devout Muslim man who faces an excruciating moral dilemma.
Legend has it that Akbar was a trader or a farmer living in coastal Kerala. He had a deep, mystical bond with a particular bird—often described as a Pakshi (bird) that could speak or understand human emotion. In some versions, the bird is his deceased mother’s soul; in others, it is his spiritual companion.
This song belongs to a sub-genre of Mappilapattu known as Kathu Pattu (Letter Songs) or Thaskara Pattu (Songs of Trickery/Critique). Before the advent of mass media, folk songs were the primary vehicle for social commentary.
In a time when criticizing a government official could lead to severe repercussions, the common people weaponized satire. They turned Akbar into a caricature. By singing about him in public spaces—marketplaces, weddings, and ferry crossings—they stripped him of his power. He was no longer a fearsome authority figure; he was merely a greedy bird, the subject of a joke.
In the 21st century, Akbar Sadaka Pakshi Pattu has seen a renaissance:
The songs explicitly forbid harming birds:
“Pakshiye kolvathu bheekaram, athu papiyude lakshanam”
(Killing a bird is terrifying; it is the mark of a sinner.)
This aligns with hifz al-bi’ah (environmental protection) in Islamic ethics.
Malayalam (typical folk version):
“അക്ബർ സദക പക്ഷിയേ, പറഞ്ഞു തരൂ ഒരു വാക്ക്
മണ്ണിൽ പിറന്നോരെല്ലാം മണ്ണിൽ ചേരും ഒടുവിൽ
രാജ്യവും രഥവും രത്നവും പോരാ
ഒരു നന്മ ചെയ്താൽ മാത്രം നിൽക്കും പേര്.”
English translation:
“O Sadaka bird of Akbar, speak one word to me:
All born from earth return to earth finally.
Kingdoms, chariots, jewels — none will stay;
Only a good deed will keep your name alive today.”
Islam arrived in Kerala via Arab traders long before the Mughals entered North India. The Mappila community developed a syncretic culture, blending Arab Islamic teachings with Dravidian folk traditions. Songs like Akbar Sadaka Pakshi Pattu were teaching tools—they illustrated complex Sufi concepts like Fana (annihilation of the self) through relatable, emotional stories.
ChroPath is really a fab Spy tool . It's so productive and saved a lot of time which we used to spend for spying element and to construct the RelXPath along with many additional features like copying and editing are really appreciated. Thanks for such a nice Initiative.
I have used xpath tools liked firepath and firebug and ranorex selocity etc but after using this ChroPath, I stopped using all those, simply because of its explicit ways of showing all the relevant search elements highlighted and showing suggested xpaths. It is simply so nice that the ones who are new to finding xpath will find it very very useful. Kudos!!
Awesome tool. After the firepath discontinued I was looking similar tools as this is only tool i found which i can use it for my work. Chropath helps the automation engineers to find the locators on daily work. I liked all the new updates too. Thank you Sanjay. Keep up the great work.
Initially, I had to use firefox previous version on which support FirePath and FireBug to identify object but on older version of mozila my application was not opening so I had to spent much time in object identification. But now Chropath is helping a lot..Element identification and verification is so quick and chropath suggest best relative xpath.
“Akbar Sadaka Pakshi Pattu” (അക്ബർ സദക പക്ഷി പാട്ട്) is a famous traditional Malayalam folk song or poetic narrative. It tells the story of a legendary encounter between the great Mughal Emperor Akbar and a mysterious, wise bird called Sadaka Pakshi (sometimes interpreted as a parrot or a mythical speaking bird). The song blends historical lore with moral and philosophical lessons, and is often sung in a rhythmic, storytelling style in the folk arts of Kerala, especially in Ottamthullal or simple village ballads.
After a long search, the Sadaka Pakshi is found and brought before the emperor. Akbar asks the bird, “What is the greatest mystery of life?”
Every great folk song has a legend. Akbar Sadaka Pakshi Pattu tells the story of Akbar (not to be confused with the Mughal Emperor), a devout Muslim man who faces an excruciating moral dilemma.
Legend has it that Akbar was a trader or a farmer living in coastal Kerala. He had a deep, mystical bond with a particular bird—often described as a Pakshi (bird) that could speak or understand human emotion. In some versions, the bird is his deceased mother’s soul; in others, it is his spiritual companion. akbar sadaka pakshi pattu
This song belongs to a sub-genre of Mappilapattu known as Kathu Pattu (Letter Songs) or Thaskara Pattu (Songs of Trickery/Critique). Before the advent of mass media, folk songs were the primary vehicle for social commentary.
In a time when criticizing a government official could lead to severe repercussions, the common people weaponized satire. They turned Akbar into a caricature. By singing about him in public spaces—marketplaces, weddings, and ferry crossings—they stripped him of his power. He was no longer a fearsome authority figure; he was merely a greedy bird, the subject of a joke.
In the 21st century, Akbar Sadaka Pakshi Pattu has seen a renaissance: “O Sadaka bird of Akbar
The songs explicitly forbid harming birds:
“Pakshiye kolvathu bheekaram, athu papiyude lakshanam”
(Killing a bird is terrifying; it is the mark of a sinner.)
This aligns with hifz al-bi’ah (environmental protection) in Islamic ethics. jewels — none will stay
Malayalam (typical folk version):
“അക്ബർ സദക പക്ഷിയേ, പറഞ്ഞു തരൂ ഒരു വാക്ക്
മണ്ണിൽ പിറന്നോരെല്ലാം മണ്ണിൽ ചേരും ഒടുവിൽ
രാജ്യവും രഥവും രത്നവും പോരാ
ഒരു നന്മ ചെയ്താൽ മാത്രം നിൽക്കും പേര്.”
English translation:
“O Sadaka bird of Akbar, speak one word to me:
All born from earth return to earth finally.
Kingdoms, chariots, jewels — none will stay;
Only a good deed will keep your name alive today.”
Islam arrived in Kerala via Arab traders long before the Mughals entered North India. The Mappila community developed a syncretic culture, blending Arab Islamic teachings with Dravidian folk traditions. Songs like Akbar Sadaka Pakshi Pattu were teaching tools—they illustrated complex Sufi concepts like Fana (annihilation of the self) through relatable, emotional stories.
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