That's The Spirit runs approximately 45 minutes. In FLAC, the entire album takes up roughly 320 MB of storage. On a modern 1TB hard drive or a 256GB smartphone with expandable storage, that is a negligible investment for a significant return in fidelity.
Moreover, FLAC is future-proof. As streaming services like Tidal and Apple Music (with Hi-Res Lossless) gain traction, the industry is moving away from MP3. Archiving your music as FLAC ensures that in ten years, you aren't searching for a "remaster" because your old MP3s sound obsolete.
Genres: Alternative Rock, Pop Rock, Nu Metal, Electronic Rock Length: 11 tracks, approximately 45 minutes Label: RCA (Europe), Columbia (US), Sony Music Producers: Oliver Sykes and Jordan Fish Tracklist Doomed Happy Song Throne True Friends Follow You What You Need Avalanche Run Drown Blasphemy Oh No Audio Technical Details (FLAC) That'S the Spirit - Amazon.de
Released on September 11, 2015, That's The Spirit is the fifth studio album by British rock band Bring Me The Horizon
. It marked a major stylistic shift from their metalcore roots toward a polished, stadium-ready alternative rock and electronic sound. Album Overview & Themes Central Concept
: Frontman Oli Sykes described the album as a "celebration of depression". The title is used ironically, representing a phrase typically used when there is no positive solution to a situation. The Umbrella Symbol
: The "raining umbrella" cover art signifies both sadness and protection from the world's negativity. Production : The album was self-produced by keyboardist Jordan Fish at Black Rock Studios in Santorini, Greece. Genre Shift : Critics noted influences ranging from Linkin Park Track-by-Track Guide Bring Me The Horizon: That's The Spirit - Texx and the City 11 Sept 2015 —
Title: Deconstructing the Digital Veil: An Analysis of Bring Me The Horizon’s That’s The Spirit in FLAC Format
Abstract: Bring Me The Horizon’s 2015 album, That’s The Spirit, marks a definitive sonic pivot from their deathcore roots towards alternative rock and electronic-infused metalcore. This paper argues that listening to this album in the Free Lossless Audio Codec (FLAC) format is not merely a matter of audiophile preference but a critical tool for dissecting the intricate production layers. By analyzing the technical marriage between producer Jordan Fish and frontman Oli Sykes, this paper explores how lossless audio reveals the texture of synthesizers, the dynamic range of percussive hits, and the spatial mixing of vocals—elements often obscured in lossy compression. Bring Me The Horizon - That-s The Spirit -FLAC-
1. Introduction: The Context of Transition In 2015, expectations were volatile. Following the post-humanist themes of Sempiternal (2013), That’s The Spirit abandoned heavy screaming for anthemic choruses and arena-ready rock. Critics initially labeled the shift as "selling out," yet the FLAC format allows a reassessment. The album’s production quality, helmed by Sykes and Fish, relies on density and layering. Standard MP3 compression (320kbps) struggles with the album’s complex low-end frequencies and ambient noise, whereas FLAC (typically 16-bit/44.1kHz) preserves the spectral fidelity.
2. Technical Analysis: What FLAC Reveals
3. Production Philosophy: The "Virtual Space" Producer Jordan Fish is known for creating a "hyperreal" soundscape—a natural drum kit processed to sound inhuman, and digital synths altered to sound organic. FLAC preserves the transient response: the split-second attack of a sound before it sustains. For example, the guitar tones in "Throne" utilize pulse-width modulation. In 128kbps MP3, this sounds like white noise; in FLAC, it is a deliberately jagged, rhythmic texture that mimics a failing engine.
4. The Debate: Is FLAC Necessary for This Genre? Critics argue that rock and metal, being inherently compressed genres, do not benefit from lossless audio. However, That’s The Spirit deliberately exploits dynamic contrast. The quiet bridge of "Oh No" (featuring glockenspiel and filtered vocals) against the explosive final chorus requires a dynamic range of approximately 12dB. Lossy codecs compress this range to 6dB, homogenizing the emotional swing. For the analytical listener, FLAC restores the production’s original intention: to create anxiety via silence and catharsis via volume.
5. Conclusion: A Case for Critical Listening That’s The Spirit is not a heavy album in the traditional sense, but it is a dense one. The FLAC format functions as a sonic microscope, revealing the friction between electronic precision and human frailty. For students of music production, analyzing this album in lossless audio is essential to understanding how modern rock navigates the digital age. The album is not just heard; in FLAC, it is decoded.
References
Appendix: Recommended Listening Tracks in FLAC
☔ That’s The Spirit: Celebrating the Darkness in FLAC If you’re looking for the definitive way to experience Bring Me The Horizon’s massive 2015 pivot, listening in FLAC (Free Lossless Audio Codec) is the only way to go. This album marked the moment the Sheffield quintet traded metalcore breakdowns for arena-ready anthems, and the production—handled by Oli Sykes and Jordan Fish —is a masterclass in modern rock layering. Why FLAC Matters for This Record That's The Spirit runs approximately 45 minutes
Sonic Spectrum: The production utilizes the entire audible range from 30Hz to 22KHz. In a lossless format, you can actually feel the weight of those sub-bass synths and the crispness of the atmospheric electronic flourishes that lower-quality MP3s tend to "muddy".
The "Fish" Effect: Jordan Fish’s influence is everywhere. From the jagged synths in "Throne" to the ambient textures in "Doomed," FLAC preserves the "cinematic pop-rock" depth that helped the band transition from underground favorites to global superstars.
Vocal Nuance: This was the album where Oli truly started singing. Lossless audio lets you hear the raw, vulnerable texture in his voice during tracks like "Avalanche" (which explores his ADHD diagnosis) and the ironic, cheerleader-chant grit of "Happy Song". Key Tracks to Test Your Setup
Doomed: The ultimate atmospheric opener. Its slow build and "euphoric sadness" benefit immensely from a high-fidelity soundstage.
Throne: Often compared to Linkin Park 2.0, its massive, groove-based synth-rock is built for high volume.
Drown: Originally a standalone single, its refined riffs and soaring chorus represent the band's "Black Album" moment of maturity.
Oh No: The poppiest closer in their catalog, complete with a saxophone solo that sounds incredibly lush in a lossless format. Pro Tip for Audiophiles
Some critics have noted that the album’s mix can sound slightly "harsh" on neutral setups. Reviewers from Resonance Reviews recommend boosting the 20Hz–300Hz range by about 3–5 decibels to really let the production team's intentions shine through. Title: Deconstructing the Digital Veil: An Analysis of
You can find official high-quality downloads on platforms like Qobuz to ensure you're getting a true, DRM-free lossless experience.
Which track from That's The Spirit do you think has the best production?
That's the Spirit: How Bring Me the Horizon Celebrates Darkness
23 Sept 2023 — In this article, we will be looking at five songs from the album, which I personally think are most representative of its theme. * Izzat Zailan
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