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| Year | Revenue (USD) | Sources | Expenses (USD) | Net Surplus/Deficit | |------|---------------|---------|----------------|---------------------| | 2022 | 120,000 | Sponsorship 70 %, Ministry grant 30 % | 150,000 | -30,000 | | 2023 | 250,000 | Sponsorship 55 %, Ads 30 %, Subscriptions 15 % | 210,000 | +40,000 | | 2024 | 420,000 | Sponsorship 45 %, Ads 35 %, Subscriptions 20 % | 340,000 | +80,000 | | 2025 | 560,000 | Sponsorship 40 %, Ads 30 %, Subscriptions 30 % | 460,000 | +100,000 | | 2026 (Q1) | 150,000 (proj.) | Sponsorship 38 %, Ads 32 %, Subscriptions 30 % | 125,000 | +25,000 |
Observation: The project moved from a deficit in its first year to a consistent surplus from 2023 onward, driven by a diversified revenue mix. Dhivehi Oriyaan Video
Not all platforms are equal. Here’s a curated list of sources: | Year | Revenue (USD) | Sources |
A: The genre is still niche and organic. Most content lives on social algorithms. That could change as demand grows. Not all platforms are equal
A: Absolutely. Many creators add subtitles, and the visual storytelling (dance, food, landscapes) is universal.