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The best docs walk a tightrope. If you have too much access (e.g., a star's personal camera crew), the film feels like a vanity project. If you have none, it’s just a slide show of public photos. Masterpieces like Exit Through the Gift Shop (2010) trick the viewer into thinking they have access, only to reveal that the entire premise is a lie about the nature of art and authenticity.

We have all seen the clips. A great director finds the footage no one has seen: the answering machine message, the B-roll of the producer screaming at a background actor, the home video shot the night before a career collapse.

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This one is for the archivists. It asks: If we stop preserving film and digital files degrade, does the entertainment industry cease to exist? It is a sobering, beautiful look at celluloid as a physical artifact.

The next wave of the entertainment industry documentary will be about AI and Labor. As actors strike over digital replicas and writers fear automation, documentarians are already filming. The best docs walk a tightrope

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Furthermore, the interactive documentary is on the horizon. Imagine a documentary where you click to see the "Director's Cut" of a fight scene, or choose which actor's audio commentary to listen to. Netflix is already experimenting with branching narratives. Furthermore, the interactive documentary is on the horizon

A docuseries rather than a single film, this explores specific moments in music history (Auto-Tune, the country-pop crossover, the Swedish songwriting machine). It is the ultimate textbook for understanding how songs become hits.

Director Edgar Wright chronicles Ron and Russell Mael, a band who influenced everyone but sold to no one.