Perhaps the most controversial track on the Gong 2000 album Laskar. Waria tackles the subject of male-to-female transgender individuals in Malaysian society—a taboo topic in conservative early-2000s Malaysia. The lyrics are surprisingly empathetic, telling the story of a character shunned by family. The music alternates between a gentle acoustic verse and a thrash-metal chorus, mirroring the internal conflict. Radio stations banned the song, but it became a cult favorite among fans who appreciated the band’s courage.
The album opens not with a guitar riff, but with the sound of a gendang (traditional drum) and the distant call of a serunai (oboe-like instrument). Spoken-word narration in classical Malay intones a pledge of loyalty to a forgotten kingdom. It’s a bold choice that immediately signals that this is not a typical rock album. The track segues seamlessly into the first proper song via a feedback loop.
A slower, sludgier track that describes a battlefield after the carnage. The bassline here is unusually melodic, weaving between the distorted guitars. Critics at the time noted that Hujan Darah showcased Gong’s ability to create atmosphere without relying on clichéd power ballads.
If you have never heard the Gong 2000 album Laskar, you are missing a crucial piece of Southeast Asian rock history. It is not an easy listen. The production is harsh, the themes are heavy, and there are no saccharine love songs to offer relief. But it is an honest album. In an era of manufactured pop stars and formulaic rock anthems, Laskar stands as a testament to what happens when a band follows its artistic vision without compromise.
For collectors, seek out the 2012 vinyl reissue—the liner notes include rare photos and an essay by the original producer. For casual listeners, the album is available on Spotify and Apple Music under the artist name "Gong" (be careful not to confuse them with the European psychedelic band of the same name).
If you want, I can:
(Invoking related search terms for further exploration.)
Laskar, released in 2000, stands as a significant milestone in the discography of Gong 2000, one of Indonesia’s most influential rock groups. Formed in the early 1990s as a creative offshoot of the legendary band God Bless, Gong 2000 brought together virtuoso musicians, most notably the iconic vocalist Ahmad Albar and the masterful guitarist Ian Antono. The album Laskar arrived during a period of transition in the Indonesian music industry, serving as a powerful reminder of the enduring appeal of rock music amidst the rising popularity of pop and alternative genres. Through its sophisticated instrumentation, poignant lyrics, and high production value, Laskar solidified Gong 2000’s legacy as architects of modern Indonesian rock.
The musicality of Laskar is defined by its blend of hard rock energy and melodic sensibility. Ian Antono’s guitar work remains the centerpiece of the album, characterized by sharp riffs and soulful solos that demonstrate why he is considered a pioneer of the craft in Southeast Asia. Unlike the raw, heavy metal influences found in some of their earlier work, Laskar shows a more polished and mature sound. The arrangements are intricate, often incorporating synthesizers and atmospheric layers that give the tracks a cinematic quality. This sonic evolution allowed the band to appeal to their loyal fanbase while also sounding contemporary to a younger generation of listeners in the new millennium.
Lyrically, the album explores themes of heroism, social struggle, and human resilience. The title "Laskar," which translates to "soldier" or "warrior," sets a tone of strength and perseverance that resonates throughout the tracks. Ahmad Albar’s signature gravelly voice delivers these messages with a sense of urgency and authority. The songs often reflect the socio-political climate of Indonesia at the time, touching upon the hopes and challenges of a nation in flux. By tackling these weighty subjects, Gong 2000 elevated the album beyond simple entertainment, positioning it as a cultural commentary wrapped in the guise of high-energy rock and roll.
In conclusion, Laskar is more than just a collection of songs; it is a testament to the technical skill and artistic vision of Gong 2000. It successfully bridged the gap between the classic rock era of the 1970s and the evolving sounds of the 2000s. By maintaining their uncompromising rock identity while refining their musical approach, the band ensured that Laskar would be remembered as a classic. The album remains a vital piece of Indonesian music history, illustrating the power of rock music to inspire, challenge, and endure through changing times. word count (e.g., 500 or 1,000 words)? Should the tone be more journalistic track-by-track analysis of specific songs like "Laskar" or "Pahlawan"? I can also help you find biographical details about the band members to add more depth.
The album closes as it began—with an instrumental. Deru Ombak (The Roar of Waves) features layered guitars building a wall of sound, gradually fading into the ambient noise of crashing waves and distant gunfire. It’s a haunting, open-ended conclusion that leaves the listener with more questions than answers, ensuring repeat listens.
To understand the weight of Laskar, one must look at the historical backdrop. The year 2000 was a time of extraordinary flux. The authoritarian New Order regime had fallen in 1998, and the nation was grappling with newfound freedom of expression, economic uncertainty, and political reformation.
Music in Indonesia at the turn of the millennium was dominated by two poles: the polished pop of Kangen Band’s early predecessors and the raw aggression of underground punk in Bandung and Jakarta. Gong, a band that had already made waves with their distinct brand of music jalanan (street music), found themselves perfectly positioned to capture the anger and hope of the era. Releasing Laskar in 2000 was a deliberate artistic and political statement.
Laskar was the final studio album by the Indonesian progressive rock supergroup Gong 2000, released in 2000. It served as a definitive closing chapter for a band that had dominated the Indonesian rock scene throughout the 1990s.
The album represented a significant stylistic shift for the group. While their earlier work was characterized by hard-hitting heavy metal and intricate progressive arrangements, Laskar leaned into a more melodic, radio-friendly sound. This transition reflected the changing musical landscape of Indonesia at the turn of the millennium, where alternative rock and pop-rock were becoming the dominant genres.
The lineup for Laskar featured the core members of Gong 2000: legendary vocalist Ahmad Albar, guitar virtuoso Ian Antono, bassist Donny Fattah, and drummer Yaya Moektio. Their chemistry, honed over decades of playing together in both Gong 2000 and the legendary band God Bless, remained the backbone of the record. Ian Antono's production on the album was polished and modern, emphasizing clear vocal harmonies and atmospheric guitar textures.
The title track, Laskar, became one of the album's most enduring hits. It was an anthem that showcased Ahmad Albar's powerful, gritty vocals against a backdrop of soaring guitar melodies. Other notable tracks like Kerinduan and Sesaat demonstrated the band's ability to craft emotional ballads that resonated with a wide audience.
Despite the softer approach, Laskar still retained the technical proficiency that fans expected from Gong 2000. Ian Antono contributed several standout solos that reminded listeners why he is considered one of Asia's greatest guitarists. However, the album was also tinged with a sense of finality. Shortly after its release, the members redirected their focus back to God Bless, effectively ending Gong 2000's decade-long run.
Laskar stands today as a testament to the versatility of Indonesian rock royalty. It proved that a band rooted in the heavy sounds of the 70s and 80s could successfully evolve and remain relevant in a new era. For fans of Indonesian rock, Laskar is not just an album; it is a sophisticated farewell from a supergroup that helped define a generation.
Gong's 2000 album "Laskar" is a studio album by the French/ British experimental rock band Gong. The album was released on May 22, 2000, through the label Virgin.
The album features a mix of psychedelic rock, progressive rock, and world music elements. The music is characterized by intricate instrumental passages, lush vocal harmonies, and a blend of electronic and acoustic instrumentation.
The album received positive reviews from critics, with many praising the band's innovative and eclectic sound. "Laskar" is considered a standout album in Gong's discography and a highlight of the band's later work.
The album's title, "Laskar", refers to the Indonesian word for "soldier" or "crew", reflecting the band's interest in exploring themes of travel, exploration, and cultural exchange.
Overall, "Laskar" is a captivating and imaginative album that showcases Gong's unique blend of musical styles and creative vision.
A great topic for fans of psychedelic rock and Gong!
Gong - Laskar (2000)
Laskar is the 16th studio album by the French-English psychedelic rock band Gong, released in 2000. The album marks a significant chapter in the band's history, as it was recorded over 30 years after their initial disbandment in 1975. gong 2000 album laskar
Background
In the late 1990s, Gong's founder and visionary, Pierre Angry, revived the band with a new lineup featuring some original members, including Andy Radican on drums, and newcomers like David Stewart on bass and vocals. The band's musical style had evolved significantly since their early days, incorporating more diverse influences while maintaining their signature psychedelic and progressive rock sound.
The Album
Laskar, named after a traditional Malay word for "warrior," reflects the band's ongoing fascination with Eastern philosophy and culture. The album features eight tracks, showcasing Gong's characteristic blend of psychedelic textures, melodic songwriting, and cosmic explorations.
The album's sound is characterized by lush instrumental arrangements, intricate percussion, and angelic vocal harmonies. The band's use of exotic instruments, such as the sitar and tabla, adds a distinctive flavor to the music. Laskar's songwriting ranges from catchy, melodic tracks like "Karma's Gone" to more experimental and atmospheric pieces like "Phat Jelly" and "Mamam".
Reception and Legacy
Laskar received positive reviews from critics and fans, with many praising the band's ability to evolve and adapt their sound while remaining true to their psychedelic roots. The album has since become a beloved addition to Gong's extensive discography, appreciated by fans of psychedelic rock, progressive rock, and world music.
Tracklist
Personnel
Conclusion
Gong's Laskar (2000) represents a triumphant return to form for the legendary psychedelic rock band. The album showcases their ongoing creativity and ability to blend eclectic influences, making it a must-listen for fans of Gong, psychedelic rock, and progressive music.
Released in 1993, is the debut and only studio album by the Indonesian rock supergroup
. The album is a landmark in Indonesian rock history, blending hard rock energy with traditional Balinese musical elements. The Supergroup Lineup
Gong 2000 was formed by legendary musicians who were already icons in the Indonesian music scene: Ian Antono : The mastermind guitarist from Ahmad Albar : The charismatic vocalist, also from Donny Fattah : Bassist extraordinaire. Yaya Moektio : Powerhouse drummer. Harry Anggoman : Keyboardist who added atmospheric depth. Musical Style and Impact Balinese Influence
: The album’s standout feature is the integration of Balinese "Gong" sounds and rhythmic structures into a heavy rock framework. This is most evident in the titular track,
, which opens with haunting, traditional-inspired melodies before exploding into a hard rock anthem. Power Ballads
: True to the God Bless lineage, the album features soaring ballads. "Bara Timur"
is a fan favourite, showcasing Ahmad Albar's signature raspy yet melodic delivery and Ian Antono's emotive guitar solos. Production Quality : For its time,
boasted high production standards, helping it stand out in a decade where Indonesian rock was transitioning from the classic 80s sound to more diverse 90s influences. While Gong 2000 was often viewed as a "God Bless spin-off,"
proved they had a distinct identity. It remains a "must-listen" for collectors of Indonesian classic rock, representing a time when technical proficiency and cultural heritage met on a single record. guitar techniques on this specific album?
I’m unable to locate a specific article or verify an album titled "Laskar" by an artist named "Gong" from the year 2000.
Here are the most likely explanations:
To help you better, could you clarify:
If you believe this is a real release, it may be extremely obscure (local cassette-only release from Indonesia, Malaysia, or the Middle East). You could try searching on Discogs, WorldCat, or Indonesian music forums using the exact spelling "Gong 2000 Laskar".
Laskar is the second studio album by the Indonesian rock supergroup Gong 2000, released in July 1993. While the band was often seen as a "God Bless sequel" because it featured the legendary core of Ian Antono, Ahmad Albar, and Donny Fattah, Laskar represented a shift toward a more polished, "Bengkel Musik" community sound. Background: More Than a God Bless Spin-off
Formed in 1990 by Ian Antono, Gong 2000 was initially a workshop for Indonesian rock musicians. By the time Laskar arrived, the lineup was a powerhouse of technical skill: Ahmad Albar: Vocals Ian Antono: Guitars Donny Fattah: Bass Harry Anggoman: Keyboards Yaya Moektio: Drums The Tracklist: Social Grit and Power Ballads
The album, released via Bens Records , blended aggressive heavy metal with the grand orchestral rock typical of 90s Indonesian productions. Highlights Laskar Perhaps the most controversial track on the Gong
The title track, a high-energy rock anthem with sharp guitar work. Menanti Kejujuran
One of the band's most enduring hits; a slow-burn power ballad. Duniaku
A socially conscious track exploring modern environmental/human struggles. Kaki Tangan Setan
A heavy, riff-driven song characteristic of Ian Antono’s signature style. Mulut Mulut Known for its punchy rhythm and critical lyrical tone. Legacy and Significance
Here’s a social media post tailored for Gong 2000’s album Laskar.
I’ve written it in an engaging, informative style suitable for platforms like Instagram, Facebook, or Twitter.
Option 1: Instagram / Facebook (Longer, descriptive caption)
🎸 Album Spotlight: Gong 2000 – Laskar (2000)
Before the rise of digital streaming, there was the raw, unfiltered energy of Malaysian rock. And leading that charge at the turn of the millennium was Gong 2000 with their iconic album Laskar.
🔥 Why Laskar still matters:
This album wasn’t just about riffs and solos — it was a voice for the streets, the youth, and the unheard. If you grew up in the early 2000s Malaysian underground scene, you know Laskar was essential listening.
🎧 Rediscover the album on Spotify / YouTube Music / Apple Music (links in bio).
Tag a friend who still blasts Laskar on road trips. ⛓️🎶
#Gong2000 #Laskar #MalaysianRock #RockKapak #2000sMalaysia #OIMusic
Option 2: Twitter / X (Short & punchy)
Gong 2000’s Laskar (2000) — one of the fiercest Malaysian rock albums of its era.
Raw riffs, political edge, and an energy that still hits hard 20+ years later.
If you know “Laskar” or “Batu Dan Kapak,” you know what real 2000s underground rock sounded like. 🇲🇾🎸
#Gong2000 #Laskar #MalaysianRock
Option 3: Nostalgic / fan-focused (for fan pages or communities)
🎸 Throwback to 2000
Album: Laskar – Gong 2000
Before they became legends, Gong 2000 dropped Laskar and changed the game. No overproduction, no filters — just heavy riffs, political lyrics, and that signature early-2000s Malaysian grit.
Favorite track? Mine’s “Laskar.” Drop yours below. 👇
#Gong2000 #Laskar #MalaysianUnderground #Rock2000
Report: Gong's 2000 Album "Laskar"
Introduction
Gong is a British-French psychedelic rock band that was formed in the late 1960s. The band has undergone several lineup changes over the years, but the core member and founder is Daevid Allen. In 2000, Gong released their album "Laskar", which marked a new era for the band. This report provides an overview of the album, its background, musical style, and reception.
Background
In the late 1990s, Gong was going through a period of transition. The band's original lineup had disbanded, and Daevid Allen was working on new material with a fresh group of musicians. Allen had been experimenting with various musical styles, incorporating elements of psychedelia, progressive rock, and world music into his work. The result was "Laskar", an album that blended Gong's signature sound with modern influences. If you want, I can:
Musical Style
"Laskar" features a diverse range of musical styles, from psychedelic rock to jazz and world music. The album is characterized by intricate instrumental arrangements, lush vocal harmonies, and thought-provoking lyrics. The music is often described as atmospheric and introspective, with a focus on storytelling and poetic themes.
Tracklist
Reception
"Laskar" received generally positive reviews from critics and fans. The album was praised for its creative and eclectic sound, as well as Allen's thought-provoking lyrics. While some listeners found the album's experimental nature challenging, many appreciated Gong's willingness to push boundaries and explore new musical territories.
Conclusion
"Laskar" is a significant album in Gong's discography, showcasing the band's ability to evolve and adapt to changing musical landscapes. The album's eclectic sound and poetic themes reflect Daevid Allen's innovative spirit and commitment to exploring new musical frontiers. While not a commercial breakthrough, "Laskar" has developed a loyal following among fans of psychedelic and progressive rock.
Rating: 4/5
Recommendation
For fans of psychedelic rock, progressive rock, and experimental music. Recommended if you enjoy bands like King Crimson, Can, and Univers Zero.
Further Research
For a deeper understanding of Gong's history and musical evolution, it is recommended to explore their earlier work, such as "You" (1974) and "Shamal" (1975). Additionally, Daevid Allen's solo work and collaborations with other artists, such as Gong's splinter group, Univers Zero, are worth investigating.
Key Feature: Incorporation of traditional Balinese Gamelan music, specifically featuring the Gamelan Gong Kebyar ensemble. Band Lineup
The album features legendary figures from the Indonesian rock scene, most notably members of the iconic band God Bless: Achmad Albar: Lead Vocals Ian Antono: Guitar & Backing Vocals Donny Fattah: Bass & Backing Vocals Harry Anggoman: Keyboards Yaya Moektio: Drums Tracklist
The album consists of 10 tracks, often blending hard rock with ethnic and social themes: Laskar (Title track) Duniaku Kaki Tangan Setan Lagu Tentang Cinta Jawa Bali Alam Dan Penguasa Polusi Setan Jalanan Menanti Kejujuran Mulut Mulut Cultural and Artistic Impact
Traditional Integration: The album prominently utilized the Gamelan Gong Kebyar Laras Pelog Panca Nada (a traditional Balinese orchestra). Musicians such as Kompiang Raka and Nyoman Weja provided traditional instrumentation including kendang, reyong, and cengceng.
Visual Presentation: The album cover is noted for its Balinese-inspired aesthetic, featuring red and black tones and traditional masks designed by the Megapro production house.
Themes: Many songs, such as "Polusi" and "Alam Dan Penguasa," reflect social and environmental concerns prevalent in Indonesia during the early 1990s. If you'd like to explore further, I can help you:
Find lyrics for specific tracks like "Menanti Kejujuran" or "Laskar."
Compare this album to the band's self-titled debut or their later work like Prahara (1998).
Learn more about the Balinese musicians involved in the recording. Gong 2000 - Laskar
Laskar is the second studio album by the Indonesian rock supergroup Gong 2000, released in July 1993. It serves as a significant follow-up to their 1991 debut, further solidifying the band's reputation as a "God Bless perjuangan" (God Bless of the struggle) due to its lineup featuring several members of the legendary band God Bless. Album Background and Sound
Formed by virtuoso guitarist Ian Antono, Gong 2000 blended hard rock with ethnic Indonesian elements. Laskar is particularly notable for its collaboration with I Gusti Kompiang Raka, a leader of Balinese ethnic musicians, which added traditional textures to the band's heavy sound. The album was released through Metrotama Records. Tracklist
The album consists of 10 tracks, totaling approximately 43 minutes: # Kaki Tangan Setan Lagu Tentang Cinta Alam Dan Penguasa Setan Jalanan Menanti Kejujuran Mulut Mulut Notable Highlights
"Menanti Kejujuran": This power ballad remains one of the band's most enduring hits and is a staple of Indonesian rock history.
"Laskar": The title track showcases the band's heavy-hitting rock style and serves as the album's opener.
"Jawa Bali": Likely the track most influenced by the collaboration with Balinese ethnic musicians, reflecting the album's fusion theme. For a closer look at the music video for the title track: 05:26 Gong 2000 - Laskar Gong 2000 - Topic YouTube• Mar 31, 2021 Laskar - lagu dan lirik oleh Gong 2000 - Spotify
Track Populer oleh Gong 2000 * Menanti Kejujuran2.035.941. * Cinta Yang Hilang537.070. * Laskar171.141. * Bara Timur (Live)68.940. Spotify Laskar - Album by Gong 2000 | Spotify