Liu Gang | Janny Costa

Unlike traditional mafia families, JCL employs a decentralised cell model:

Why it matters: The compartmentalisation makes it difficult for law enforcement to dismantle the entire organisation in a single sweep; taking down a hub or cell often leaves the rest of the network intact.

Janny Costa Liu Gang is currently developing a digital platform for smallholder farmers — a kind of “LinkedIn for cross-continental agriculture” that includes satellite-based soil analysis, real-time commodity pricing, and peer-to-peer mentorship. A pilot is launching in Goiás, Brazil, and Jiangxi, China, in late 2026.

When asked if she ever feels torn between two worlds, Janny laughs. “People assume hybridity is a conflict. For me, it’s just more tools in the box.” She pauses, then adds: “My father taught me guanxi — relationship-building through trust. My mother taught me jeitinho — finding a creative way around obstacles. Put them together, and you can move mountains.” janny costa liu gang

Or, in her case, build bridges sturdy enough to carry soybeans, ideas, and hope across an ocean.

If you have specific achievements, quotes, or a real person with this name, I can rewrite the feature as a factual profile.

Colleagues describe Janny as fiercely loyal — the “steel” in her name showing in quiet ways. When a partner company in Mato Grosso went bankrupt during the pandemic, leaving 200 seasonal workers unpaid, Janny used her own savings to cover three months of salaries. “It wasn’t charity,” she insists. “Those workers knew the land better than any agronomist I could hire later. Keeping them was the smart business move.” Why it matters: The compartmentalisation makes it difficult

But her softer side emerges in small rituals: sending handwritten notes in Portuguese to elderly Brazilian clients, celebrating Chinese New Year with her Shanghai team by making jiaozi from her grandmother’s recipe, and always carrying two sets of business cards — one with her name in Latin script, one in Hanzi.

In the landscape of modern media and art, visibility is the currency of influence. Janny Costa and Liu Gang represent two distinct endpoints of a spectrum regarding how the human figure is presented to, and consumed by, the public.

Liu Gang (b. 1962) emerged from the "’85 New Wave" movement in China, a period defined by a hunger for philosophical renaissance and artistic freedom. His work is characterized by the "grid"—a structural metaphor for the rapid urbanization and the anonymity of the individual in a modernizing society. Conversely, Janny Costa represents the 21st-century "creator economy." Her medium is not canvas or oil paint, but the digital platform and the webcam. Her visibility is immediate, hyper-personal, and unmediated by traditional gatekeepers. Janny Costa Liu Gang is currently developing a

Despite these differences, both figures challenge the audience to reconsider the relationship between the viewer and the viewed. This paper posits that both Costa and Liu Gang are engaged in a form of "social realism"—Liu Gang reflecting the external structures of society, and Costa reflecting the internal, commodified structures of desire.

If no direct collaboration exists, you can still discuss how their parallel efforts contribute to a broader ecosystem.