La Disubbidienza 1981 Imdb Extra | Quality

Visually, La disubbidienza is a cut above standard Italian dramas of the time. Aldo Lado, who often served as his own cinematographer or worked closely with them, utilizes a distinct visual language:

In the vast landscape of Italian erotic cinema, few films carry the weight of controversy and aesthetic beauty quite like Aldo Lado’s 1981 drama, La Disubbidienza (Disobedience). For collectors and IMDb archivists, the search for an "extra quality" version of this film represents more than just high definition—it is a quest to preserve a defiant piece of cinematic history.

| Category | Details | |----------|----------| | Original Title | La disubbidienza | | English Translation | Disobedience | | Year | 1970 (Italian release) | | Country | Italy | | Language | Italian | | Runtime | 97 min (≈ 1 h 37 min) | | Genre | Drama / Historical | | Director | Alberto Lattuada | | Screenplay | Alberto Lattuada, Mario Gallo, Ennio De Concini | | Based on | The novel La disubbidienza by Francesco Piccolo (1969) | | Producer | Luigi Rovere | | Cinematography | Gian Paolo Barboni | | Music | Ennio Morricone (uncredited, early‑career contribution) | | Production Companies | Cineriz, Rizzoli Film | | Distributor | Cineriz (Italy) | | IMDb Rating | 6.8 / 10 (≈ 2 500 votes, as of Apr 2026) | | Main Cast | - Adriano Celentano as Lorenzo
- Claudia Cardinale (voice‑over cameo)
- Francesco Nuti as Gianni
- Laura Betti as Marta | | Awards / Festival | Nominated for Best Italian Film at the 1971 Venice Film Festival (official selection) | | Restoration | 4K digital restoration completed in 2023 by Cineteca di Bologna; now streaming on MUBI and The Criterion Channel in “High‑Definition” (1080p/4K) | la disubbidienza 1981 imdb extra quality

Se vuoi investire in una versione fisica o digitale di qualità, cerca queste caratteristiche negli extra:

The strength of the film rests heavily on the shoulders of its international cast: Visually, La disubbidienza is a cut above standard

| Role | Who | Notable Works & Context | |------|-----|------------------------| | Director | Alberto Lattuada | A veteran of Italian neorealism, known for La steppa (1962) and Il gobbo (1971). Lattuada’s style blends lyrical visual storytelling with social critique. | | Screenwriters | Alberto Lattuada, Mario Gallo, Ennio De Concini | De Concini later co‑wrote The Good, the Bad and the Ugly (1966). | | Producer | Luigi Rovere | Partnered with Lattuada on several projects; champion of literary adaptations. | | Cinematography | Gian Paolo Barboni | Recognized for his use of natural light in The Great War (1959). | | Music | Ennio Morricone (uncredited) | Early in his career, Morricone supplied a sparse, folk‑inflected score that foreshadows his later iconic soundscapes. | | Art Direction | Mario Garbuglia | Recreated authentic Tuscan interiors and the pastoral countryside with meticulous detail. | | Costume Design | Mimì Bruni | Utilized period‑accurate fabrics to differentiate the working‑class characters from the bourgeois elite. |

Production History Highlights

Released in 1981, La Disubbidienza arrived at a time when Italian cinema was pushing the boundaries of on-screen sexuality. Directed by Aldo Lado—a filmmaker known for gialli like The Short Night of the Glass Dolls—this film marked a stark departure from the thriller genre. It is an adaptation (loose and controversial) of the literary works of Ercole Patti, transported to the tense historical backdrop of World War II Sicily.

The film stars Stefania Sandrelli, one of Italy’s most celebrated actresses, alongside Teresa Ann Savoy. The narrative follows an adolescent boy, Luca, navigating the turbulent onset of puberty amidst the chaos of war. The "disobedience" of the title is dual-layered: the rebellion against the strictures of a Catholic boarding school and the Fascist regime, and the sexual awakening that defies societal taboos. In the vast landscape of Italian erotic cinema,

Upon release, the film was a lightning rod for criticism. Detractors labeled it exploitative, focusing heavily on the voyeuristic gaze of the camera. However, proponents of the film argued that Lado captured the confusion of adolescence with an unflinching, almost painful honesty.

La disubbidienza (1981) è uno di quei film italiani che può essere facilmente dimenticato nelle liste dei grandi titoli, ma che merita attenzione per temi, interpretazione e stile. Questo post esplora la pellicola, i suoi punti di forza in termini di qualità tecnica e narrativa, e suggerisce cosa cercare nelle edizioni "extra" quando si desidera approfondire.