Avecina 1x1 Best - La Que Se

La que se avecina 1x1 is not just a pilot—it’s a comedic manifesto. It introduced Spain to a cast of horrible, hilarious, unforgettable neighbors. Whether you’re a first-time viewer or a longtime fan revisiting the roots, this episode remains the best entry point and a standalone comedy gem.

Rating: ★★★★★ (5/5)
Best scene: The community meeting meltdown.
Best line: “¡Bienvenidos a Montepinar!” (said with maximum irony).



When La que se avecina (literally "What’s Coming Our Way") first aired on April 22, 2007, it carried the immense weight of following Aquí no hay quien viva, one of Spain’s most beloved sitcoms. Created by the same team (Alberto Caballero, Laura Caballero, and Daniel Deorador), the new series needed to prove it wasn’t just a carbon copy. Episode 1, titled "Un derrame de piscina" ("A Pool Spill"), accomplishes this masterfully, establishing the tone, characters, and conflicts that would sustain the show for over a decade.

La primera entrega de La que se avecina funciona como carta de presentación: nos introduce en el microcosmos absurdo y excesivo de la comunidad de vecinos de Montepinar y fija el tono cómico de la serie.

Valoración breve: un episodio sólido para arrancar temporada: establece personajes y reglas del juego con eficacia y promete —con su humor directo y exagerado— una comedia de enredos que, si te engancha, lo hará por sus interpretaciones y su capacidad para convertir lo cotidiano en espectáculo absurdo.

The pilot episode of "La que se avecina," titled "Mirador de Montepinar" (1x01), aired in 2007, introducing audiences to the chaotic residents of a dysfunctional, new apartment complex plagued by construction defects. This foundational episode debuted iconic characters, including Antonio Recio and the quirky janitor Maxi, setting the stage for the long-running Spanish sitcom. To rewatch the premiere, explore the series on Amazon Prime Video. "La que se avecina" Mirador de Montepinar (TV Episode 2007)

The first episode of the iconic Spanish sitcom "La que se avecina" (1x01), titled "Mirador de Montepinar", premiered on April 22, 2007. As the spiritual successor to "Aquí no hay quien viva", it had the monumental task of introducing a new building, a fresh cast of eccentric characters, and a sharper, more cynical brand of humor.

Here is a look at the best moments and legacy of the episode that started it all. The Premise: Welcome to Mirador de Montepinar

The series begins with the finalization of the Mirador de Montepinar urbanization. From the very first minute, the show establishes its core comedic engine: the "luxurious" flats are a disaster. In one of the best introductory clips, real estate agents are seen desperately trying to offload flawed 60-square-meter apartments for double their value to "imbeciles" looking for a bargain. Best Character Introductions

The pilot is widely remembered for how quickly it established the traits of characters who would become household names in Spain: la que se avecina 1x1 best

Antonio Recio: Initially a secondary figure, Recio’s obsession with the community and his over-the-top conservative rants (like his infamous "evolution" argument regarding progress and mutations) became instant highlights.

Enrique Pastor: Introduced as the "Councilman for Youth and Free Time," Enrique represents the voice of reason constantly drowned out by the chaos.

Amador Rivas: While his "Salami" and "Mandanga" catchphrases came later, 1x01 set the stage for his struggling middle-class lifestyle with Maite.

The "Leonor" Incident: A memorable scene involves the neighbors struggling with the thin walls and a new janitor with a highly questionable resume. Why Episode 1x01 is Considered "Best"

While fans often debate which season is the peak, 1x01 holds a special place for several reasons:

Satire of the Property Bubble: The episode perfectly captured the Spanish property bubble of the mid-2000s—flawed construction, high prices, and the desperation to own a home.

Relatability: The absurd neighborly quarrels and the "paper-thin walls" were immediately recognizable to many Spaniards.

The "Inherited" Chemistry: Much of the cast transitioned from the previous hit show, allowing the comedic timing to feel polished even in the first episode. Where to Revisit the Episode

For those looking to relive these "best" moments, the full series, including the pilot, is available for streaming on platforms like Disney+ and Prime Video. La que se avecina 1x1 is not just

Welcome to Mirador de Montepinar: Reliving the Chaos of LQSA 1x1 If you’re a fan of Spanish sitcoms, you know that La que se avecina

(LQSA) is more than just a show—it’s a national institution. But every legend has a beginning. Today, we’re going back to 2007 to look at the very first episode, Mirador de Montepinar

, and why it still stands as one of the best introductions to a comedy series. The Premise: New Building, Old Problems

The series kicks off with the completion of the "Mirador de Montepinar" urbanization, a supposedly luxury residential complex that turns out to be anything but. From the jump, the show sets the tone: the floors are flawed, the doorbells don't work, and the walls are thin enough to hear your neighbor's every breath. Highlights of the Pilot The Accidental President

: Upon returning from his honeymoon in Africa, Javi finds out he has been elected as the first president of the community—a "prize" no one actually wants. The Shady Staff

, the new janitor whose resume is as questionable as the building's structural integrity. Legendary Rivalries Begin : The episode introduces the iconic tension between Enrique Pastor Antonio Recio

, whose constant conflicts would go on to fuel the show for over a decade. The Squatters

: We also see the first appearance of Izaskun and Mari Tere, the two early retirees who decide that a show flat is better than paying rent. Why It’s One of the Best

What makes 1x1 so special is how it mirrors the real-world Spanish property bubble while delivering rapid-fire comedy. It managed to take the DNA of its predecessor, Aquí no hay quien viva When La que se avecina (literally "What’s Coming

, and inject it with a more cynical, chaotic energy that would define its 15+ season run.

Whether it's Antonio's first rants or the "Cuquis" trying to maintain their status-obsessed lifestyle, this episode laid the groundwork for everything we love about Montepinar. "La que se avecina" Mirador de Montepinar (TV Episode 2007)

Storyline. Edit. The Mirador de Montepinar urbanization is finally complete. Even though the floors are flawed, the doorbells don' Watch La que se avecina | Full episodes | Disney+

Here’s a concise guide for “La que se avecina” (LQSA) – Season 1, Episode 1 (often referred to as 1x1 or “El retorno de los vecinos”).


A common complaint among LQSA veterans is that seasons 10+ became repetitive. Catchphrases like "Equilicuá" or "Las malditas 6.000 euros" were repeated ad nauseam. However, episode 1x1 is lean and mean. There is no filler. Every line of dialogue either builds character or advances the plot.

Furthermore, the pacing is superior. Modern sitcoms often rush jokes. LQSA 1x1 breathes. It allows awkward silences (especially from Nando or the socially inept Amador—who appears later but is hinted at in this episode). The "best" version of La que se avecina is the version where the neighbors are still strangers to each other, discovering their annoyances in real time.

The writing duo of Alberto Caballero and Laura Caballero made a calculated risk by transplanting three characters from Aquí no hay quien viva (Juan Cuesta, Mauri, and Emilio) while surrounding them with fresh faces.

The premise is established quickly: Mirador de Montepinar is not just a building; it’s a chaotic ecosystem. The episode brilliantly juxtaposes the excitement of moving into a new home with the immediate horror of the reality: the building is unfinished.

The central conflict—the lack of an elevator certificate and the subsequent struggle with the service elevator—serves as a perfect metaphor for the entire series. The residents are middle-class people with delusions of grandeur, trapped in a bureaucratic purgatory of their own making. The physical comedy of the "service elevator" (which barely fits a person) sets the tone immediately: this is a world where nothing works as it should.