Laura Fygi - The Best Is Yet To Come -flac- -2011- May 2026

This report examines the 2011 album The Best Is Yet To Come by Dutch jazz and pop vocalist Laura Fygi, with a focus on its technical encoding as a FLAC (Free Lossless Audio Codec) release. The album represents a mature chapter in Fygi’s career, featuring a collection of jazz standards, pop classics, and Latin-infused ballads. The availability of this album in FLAC format indicates a target audience of audiophiles and serious music collectors who prioritize sound quality over compressed file sizes.

No album is perfect:

Laura Fygi’s voice is the main attraction. She is not a pyrotechnic virtuoso like Ella Fitzgerald nor a gravelly storyteller like Diana Krall. Instead, she occupies a middle ground—smooth, slightly breathy, with a touch of European cool. Her greatest asset is subtlety. She never shouts or scats excessively. Instead, she leans into melodic nuances and soft dynamic shifts. Laura Fygi - The Best Is Yet To Come -FLAC- -2011-

On slower tracks like “I’ve Got You Under My Skin,” she stretches phrases almost to the breaking point, trusting the silence between notes. This can be mesmerizing for listeners who value restraint, though fans of more aggressive jazz singing might find her approach too polished or “easy listening.” Still, within the context of this compilation, her consistency is a strength.

Why specify -2011- in the keyword? Because The Best Is Yet To Come was originally released in 2011 on the T2 Entertainment label (distributed by Universal). This was a transitional period in digital music. This report examines the 2011 album The Best

In 2011, streaming was still in its infancy (Spotify launched in the US only in July 2011). The predominant digital format was still the 256kbps or 320kbps MP3, often purchased from iTunes or Amazon. CD sales were declining, but audiophile communities on forums like What Hi-Fi? and Head-Fi were evangelizing FLAC. High-resolution downloads were becoming available from sites like HDTracks and Qobuz, though they were niche.

The 2011 FLAC release of this album is significant because it represents a “sweet spot” in mastering. It is not the overly loud, dynamically compressed remaster of a later reissue. It retains the original dynamic range, which, according to analysis on the Dynamic Range Database (DR Database), scores favorably (typically DR10-DR12), meaning ample room between the quietest and loudest passages. Later “loudness war” remasters, even in FLAC, often squash this vitality. No album is perfect: Laura Fygi’s voice is

In the pantheon of contemporary jazz and cabaret singers, few possess the velvet warmth and emotional directness of Laura Fygi. Born in the Netherlands to a Dutch father and an Egyptian mother, Fygi has built a three-decade-long career on bridging the gap between American jazz standards, Brazilian bossa nova, and French chanson.

By 2011, Laura Fygi was already a seasoned star, having sold over 1.5 million albums worldwide. Yet, with The Best Is Yet To Come, she wasn’t just releasing another collection of cover songs. She was making a statement. The album’s title—borrowed from the classic Harold Arlen and Johnny Mercer standard—is both a nod to the Great American Songbook and a personal manifesto. At an age when many singers begin to slow down, Fygi declared vitality, elegance, and a forward-looking optimism.

For audiophiles and collectors, however, one specific format of this release stands above the rest: Laura Fygi - The Best Is Yet To Come -FLAC- -2011-. This combination—artist, album, lossless codec, and release year—has become a coveted search string for those who want to experience Fygi’s nuanced vocals and the meticulous studio production in their purest form.