Letycia Soares Nua Review

At fourteen, Letycia earned a scholarship to attend the prestigious Colégio Estadual de Vila Velha, the nearest urban high school, a five‑hour bus ride away. The transition was jarring—she went from a community where everyone knew each other’s grandparents to a bustling campus filled with students from affluent backgrounds. Yet, rather than feel out of place, she used the cultural shock as fuel for learning.

She excelled in the sciences, particularly chemistry, where she saw the potential to transform raw natural resources into solutions for everyday life. Simultaneously, she joined the school’s debate club, quickly rising to captain. Her speeches blended factual precision with heartfelt storytelling—a talent that would later become her signature style.

During these years, Letycia also discovered activism. In 2009, she led a student‑wide petition demanding the school adopt a recycling program. The initiative succeeded, and the campus installed the first composting bins in the region, a modest but symbolic victory that reinforced her belief that change begins at the grassroots level. letycia soares nua

Armed with international experience, Letycia returned to Brazil in 2020 as the Director of the “Blue Horizons” program at IBEAR. Under her leadership:

Letycia Soares Nua is an emerging figure whose multifaceted contributions span the realms of literature, social activism, and cultural preservation in contemporary Brazil. Though still early in her public career, her work already exemplifies a dynamic blend of artistic expression, community engagement, and a deep commitment to amplifying marginalized voices. This essay examines Letycia’s background, her artistic trajectory, the thematic core of her writings, her activism, and the broader significance of her emerging presence within Brazilian and global cultural landscapes. At fourteen, Letycia earned a scholarship to attend

While Letycia’s contributions have been widely celebrated, some critics argue that her blending of documentary and fictional techniques may blur the line between factual representation and artistic license, potentially complicating the work’s utility as a historical source. Others contend that her growing visibility in mainstream literary circles risks co‑optation by commercial forces, threatening the radical roots of her activism.

Letycia addresses these concerns through reflexive writing: in the afterword of Rios de Fogo, she explicitly delineates which passages are derived from oral testimonies and which are imagined, inviting readers to engage critically with the text’s epistemological layers. Letycia Soares Nua is an emerging figure whose

Letycia’s artistic practice is inseparable from her activism. She co‑founded the nonprofit organization Raízes Vivas, which works to document and disseminate oral histories of quilombola and indigenous elders through multimedia projects. The organization’s flagship initiative, Vozes do Rio, pairs community storytellers with university students, creating podcasts that are now broadcast on public radio stations across the Northeast.

In addition to her work with Raízes Vivas, Letycia has been a vocal participant in environmental protests, particularly those opposing large‑scale hydroelectric projects that threaten riverine ecosystems. Her public speeches often reference her literary work, emphasizing that narrative can galvanize collective action.