Run Dmc Jason Nevins Its Like That Raxon E
"It's Like That" by Run–D.M.C. vs. Jason Nevins is more than a remix—it is a bridge between the golden age of hip-hop and the peak of the big beat/club culture era. And while the spotlight rightly shines on Run, D.M.C., Jam Master Jay, and Jason Nevins, the story is incomplete without acknowledging Raxön Records. That small German label took a white-label whisper and turned it into a chart-topping roar, proving that sometimes, the underground isn't just the foundation—it's the engine of pop music itself.
If you're looking to purchase the original Raxön pressing, check Discogs or specialized vinyl auction sites. For the official release, the track appears on Run–D.M.C.'s Greatest Hits (1998) and countless electronic compilations.
The Raxon Edit of "It’s Like That" by Run-D.M.C. vs. Jason Nevins
is a modern techno reimagining of the massive 1997 house remix. While the original Nevins version bridged hip-hop and dance music to become a global chart-topper, the Raxon Edit adds a deeper, hypnotic techno layer designed specifically for modern club dancefloors. The Raxon Edit
This version is an unreleased "edit" that gained significant traction in the underground electronic scene starting around 2023. run dmc jason nevins its like that raxon e
Style: It transforms the energetic, breakbeat-heavy Nevins remix into a hypnotic techno track with a steady, driving rhythm.
Artist: Raxon, an established name in the techno scene, created this edit to give the 90s classic a fresh life in his sets, famously playing it during B2B performances with artists like Maceo Plex.
Availability: Because it is an unofficial edit, it is primarily found on platforms like SoundCloud and through unofficial uploads on YouTube. Background: The 1997 Original Remix
Raxon's edit is based on the legendary 1997 remix by American DJ and producer Jason Nevins, which: "It's Like That" by Run–D
Since "Raxon E" is likely a reference to the Egyptian DJ/Producer Raxon, or a specific edit/remix associated with him, this guide breaks down the history of the song and how it relates to the modern electronic music scene.
The involvement of Raxön Records is a classic case of "bootleg to blockbuster." Many official histories gloss over the German label's role, but without Raxön taking the risk on an unauthorized pressing, the Nevins remix might have remained a white-label club curiosity. Raxön proved that there was a massive commercial audience for this fusion of old-school hip-hop vocals and new-school electronic production.
In some collectors' circles, the original Raxön 12" (catalog number RAXÖN 01) is a sought-after piece of dance music history, representing the moment a small German label changed the course of a legendary group's career.
Enter Jason Nevins. A New York-based producer and DJ, Nevins was a key figure in the underground breakbeat and hip-hop house scene. In 1997, he took the a cappella of It’s Like That (released by Profile Records) and did something radical. He stripped away the original 1983 Roland TR-808 beat and replaced it with a roaring, synthesized house bassline, a pounding four-on-the-floor kick drum, and a thunderous snare fill that became his signature. If you're looking to purchase the original Raxön
Nevins’ remix didn’t just update the song; it weaponized it. The tempo jumped from 100 BPM to nearly 130. The melancholic synth of the original became a euphoric, trance-like loop. When the drop hit—"People... dance... people... dance"—the crowd lost its mind.
Enter Jason Nevins, a New York-based DJ and producer known for his work in the underground club scene. In the mid-90s, Nevins was a resident at the legendary nightclub Tunnel, spinning a blend of hip-hop, breaks, and the emerging "big beat" sound (popularized by acts like The Chemical Brothers and Fatboy Slim). Nevins saw untapped potential in the acapella of "It's Like That."
Using a bootleg approach, Nevins stripped away the original's spare drum machine and constructed a brand new track around Run's vocals. His remix was a monster: a driving, four-on-the-floor kick drum, a funky, filtered bassline, scratching, and explosive breakbeat drops. It turned a stark, minimal rap into an anthem designed for peak-time club euphoria. Crucially, Nevins never intended to release it commercially; he made the remix as a white-label 12" for his DJ sets.