Happy people don't drive plots. Conflict forces the couple to grow. There are two main types:
The Blueprint: Pride & Prejudice, When Harry Met Sally, The Hating Game. The Mechanics: This storyline argues that the opposite of love isn't hate; it is indifference. By forcing two people who clash (ideologically or socially) into proximity, the narrative creates friction that generates heat. The pleasure here is in the conversion—watching a character admit they were wrong about the other person. In real life, this trope is dangerous if it ignores red flags, but in fiction, it is the ultimate fantasy of being "seen" past one’s exterior. sex2050com full
Whether you are a fan of Pride and Prejudice or The Notebook, you have likely engaged in "shipping" (rooting for a relationship). Psychologists argue that romantic storylines satisfy three primal needs: Happy people don't drive plots