The Taboo series is a well-known line of adult films from the 1980s and early 1990s, produced primarily by Platinum Pictures (later distributed by Caballero Control Corporation). The original Taboo (1980), directed by Kirdy Stevens and starring Kay Parker, became a landmark film in adult cinema for its controversial mother-son theme.
By the time of Taboo VII (1989), the series had continued with various directors and casts, often focusing on family-related forbidden relationships, though later installments became more generic.
However, "The Wild and the Innocent" is not a commonly recognized subtitle for Taboo VII in standard adult film databases (like IAFD or adultfilmdata). The known Taboo VII is sometimes listed as Taboo 7 or Taboo VII: The Wild and the Innocent may be a misremembered title, a regional variation, or a confusion with another film.
Let me break this down into possibilities:
The title itself is a masterclass in double-entendre. "The Wild and the Innocent" refers to two cousins (played by veteran stars Jamie Summers and Tom Byron) who represent opposing forces of sexuality.
The "taboo" element here is not the usual mother/son dynamic of the first six films. Instead, the film explores coercive seduction and the corruption of innocence—the idea that the "wild" intentionally destroys the "innocent" for sport. There is a specific 12-minute sequence set during a thunderstorm where the power cuts out; shot almost entirely by candlelight, it stands as one of the most cinematically beautiful scenes in the entire franchise. taboo vii the wild and the innocent 1989 ful best
If we take Taboo VII as the film, here are facts:
No official or widely distributed version of Taboo VII carries the subtitle "The Wild and the Innocent."
Let’s set the stage: 1989 gave us Paul’s Boutique, 3 Feet High and Rising, It Takes a Nation of Millions (late ‘88, but still). Hip-hop was becoming maximalist. The production was dense, the samples were layered, and the personalities were larger-than-life.
Taboo VII did the opposite.
The Wild and the Innocent is minimalist to the point of agoraphobia. Where De La Soul gave you skits and flowers, Taboo VII gives you a man rapping over a single sustained keyboard note for two minutes. It is anti-chaos. The Taboo series is a well-known line of
Was it bad? Sometimes, yes. The mixing is awful. Taboo VII’s flow trips over itself constantly—he sounds like he’s reading a grocery list while running up stairs.
But was it real? Absolutely.
Directed with a keen eye for detail and a deep understanding of human eroticism, Taboo VII ventures into themes of innocence, exploration, and the primal urges that connect us all. The film stars Steve Rampling and Brigitte Lacie, actors who bring depth and passion to their roles, making the on-screen experience both captivating and memorable.
If your goal is to locate and watch Taboo VII from 1989 in the highest quality available, here's a practical guide:
Best available formats
Where to look (legally)
Avoid bad transfers
By 1989, the "Golden Age of Porn" (roughly 1969-1984) was long over. The industry had moved from celluloid prestige projects like The Devil in Miss Jones to cheaper, formulaic VHS productions. However, the Taboo franchise remained a flagship for Caballero Home Video. While Taboos III, IV, V, and VI became repetitive (usually revolving around another mother/son "first time"), Taboo VII attempted a left turn.
Directed by an uncredited protégé of Stevens (some film historians argue it was helmed by John T. Bone under a pseudonym), Taboo VII: The Wild and the Innocent abandoned the urban soap-opera setting for a rural, almost gothic Southern backdrop.