If Part 1 was a boxing match, Wonder Woman Vs Warlord Part 2 is a chess game played with lightning bolts. The creative team—penciller Becky Cloonan and writer Jordie Bellaire—intentionally subverts the trope of the “bigger rematch.”
In the sprawling history of DC Comics, few crossovers feel as organically brutal and politically charged as the clash between the Princess of Themyscira and the barbaric despot of the failed state of Markovia. Following the explosive cliffhanger of the first installment, Wonder Woman Vs Warlord Part 2 arrives not just as a sequel, but as a philosophical battleground. This issue dissects the very nature of power: the divine right to rule versus the corrupting iron fist of martial law.
If Part 1 was about the inciting incident—Warlord’s forces invading a sovereign island nation—Part 2 is about the collapse of order. Here is our deep dive into the lore, the fight choreography, and the shocking ramifications of this issue.
DIALOGUE
WARLORD:
“You can’t save them all.”
WONDER WOMAN:
“I don’t need to save them all. I just need to save them from you.”
He fires a concussive blast from his gauntlet. Diana tanks it. Doesn’t flinch.
WARLORD:
“What are you?”
WONDER WOMAN:
“Tired. Of men who build empires on other people’s pain.”
She breaks his gauntlet with one hand, lifts him by the throat, and whispers:
“You wanted to see me without my weapons. Now you are unarmed. How does it feel?”
He cannot answer. She throws him into the arena’s central pillar—it collapses, destroying the slave collar control hub.
Every collar in the fortress clicks open.
Ever since the first bell rang in their initial clash, fans of DC Comics have debated a single, burning question: Can the Princess of Themyscira truly defeat a man who has conquered death itself?
In the landscape of modern graphic novels, few rivalries have captured the raw, primal essence of combat quite like the feud between Diana Prince (Wonder Woman) and the undying despot known as Warlord. While their first encounter was a brutal testament to strength versus savagery, Wonder Woman Vs Warlord Part 2 is not merely a sequel; it is a masterclass in character evolution, tactical warfare, and emotional stakes.
Released to critical acclaim in the latest arc of Sensation Comics, this issue dismantles everything you thought you knew about the first fight. Forget the knock-down, drag-out brawl of the past. Part 2 asks a harder question: What happens when Wonder Woman stops holding back?
The search for "Wonder Woman vs Warlord Part 2" primarily yields results related to fan-created content and conceptual art, particularly on platforms like DeviantArt Recent Fan Concepts & Art AI-Generated Teasers
: A notable recent entry is a series of AI-generated concept images titled "Wonder Woman x Warlord teaser 2" by the creator kafka1111 on DeviantArt
. This project explores various visual iterations for a hypothetical encounter between Diana and a Warlord figure, with recent comments suggesting a "corrupted" or darker aesthetic for the characters. The Warlord (Travis Morgan) Legacy
: In classic DC lore, the Warlord (Travis Morgan) is a Vietnam-era pilot who finds himself in the prehistoric-style world of Wonder Woman Vs Warlord Part 2
. While they both belong to the DC Universe, formal comic crossovers between Wonder Woman and the Warlord are rare, leading to a significant amount of "imaginary crossover" fan fiction and art within the community. Contextual Conflicts & Villains Warlord Archetypes in Wonder Woman Comics Travis Morgan
is "The Warlord," Wonder Woman frequently faces other warlord-style antagonists. Discussions often center on villains like Vandal Savage
, an immortal who views war as humanity's natural state, or conceptual "conquering warlords" from other dimensions. Injustice 2 Fallout Injustice 2
storyline, Wonder Woman herself takes on a more aggressive, warlord-like role under Superman's Regime. At the end of this arc, she is defeated and sent to to face trial by the Guardians of the Universe. Comic Book History Artistic Evolution comics (like 1st Issue Special #8
from 1975) were known for their unique adventure-strip style by Mike Grell
, which often avoided standard superhero sound effects in favor of cinematic storytelling. Attack of the 50 Year Old Comic Books specific fan-fiction story titled "Part 2," or are you interested in official comic crossovers between these two characters? 1st Issue Special #8 (November, 1975)
The " Wonder Woman Vs Warlord " segment is a specific portion of the 2023 animated film Justice League: Warworld. This section serves as the film's opening act, reimagining Wonder Woman (Diana Prince) in a gritty, Spaghetti Western setting. Storyline & Concept
In this segment, a memory-wiped Diana is a lone drifter in a desolate, Old West-style town. She encounters a brutal Warlord who is terrorizing a group of children and demanding 75% of their supplies. When the Warlord shoots Diana for defying him, she recovers instantly and defeats his entire gang in a display of "Amazonian" skill—though she does not yet realize her true identity. Deep Review Analysis
Critics and audiences are sharply divided on this specific part of the film and the movie as a whole.
Genre-Bending Appeal: Reviewers from Rotten Tomatoes noted that the film's anthological approach—starting with this Western Wonder Woman story—is "interesting" and "all style". The segment is praised for its unique visual aesthetic and the novelty of seeing Diana in a non-traditional superhero setting.
Pacing and Structure: While some found the individual segments (like the Warlord fight) to be well-paced, the transition into the film's final act is widely criticized as "muddied and confusing". On Reddit, some fans felt the movie "rushed" the Warworld aspect to get to the Crisis on Infinite Earths setup, leaving segments like the Warlord fight feeling disconnected from the larger plot.
Tone & Violence: This version of Wonder Woman is significantly "bloodier" than previous DC animated iterations. The IMDb Parents Guide highlights "severe bloody violence" in these combat sequences, which aligns with the film's R-rating.
Animation Quality: Some viewers on Reddit criticized the animation as "lifeless" and "bottom of the barrel," which they felt detracted from the impact of the action choreography in the Wonder Woman vs. Warlord fight. Context within the Tomorrowverse
This story is canon to the Tomorrowverse timeline and leads directly into the Justice League: Crisis on Infinite Earths trilogy. It explains that the "Warlord" scenario was a mental prison created by the villain Mongul to keep the Justice League's heavy hitters occupied.
Does anyone else think Justice League Warworld was terrible?
Part 2
The air inside the cavernous temple of Thalarion tasted of copper and ozone. In the center of the chamber, levitating above a dais of jagged obsidian, sat the Crimson Throne—the artifact Warlord had stolen from the depths of Themyscira. It pulsed with a rhythmic, bloody light, humming with the collective aggression of a thousand ancient battles.
Diana of Themyscira stood at the entrance, her boots crunching on the debris of the skirmish outside. She was battered, her red armor scorched from the blast that had collapsed the temple entrance, but her stance was unbroken. In her hand, the Lasso of Truth glowed a fierce, angry gold.
Behind the throne, emerging from the shadows like a nightmare given flesh, stood the Warlord. He was a towering monolith of iron and scar tissue, his face obscured by a helm fashioned in the likeness of a screaming demon. He dragged a massive, serrated broadsword across the stone floor, sparking with every step. If Part 1 was a boxing match, Wonder
"Wonder Woman," his voice grated, sounding like stones grinding together. "You survived the gauntlet. Impressive. But you are too late. The Throne has accepted me. I am now the vessel of Ares’ true might."
"The Throne does not grant might," Diana said, stepping forward. "It amplifies the rage of whoever sits upon it. You are not a vessel, Warlord. You are a battery. And you are about to explode."
Warlord laughed, a booming, joyless sound. "Then let the world burn! I will reshape it in the image of eternal conflict. Only the strong shall inherit the earth."
He thrust his gauntleted fist forward. The Crimson Throne flared, sending a shockwave of red lightning crackling toward Diana.
Diana didn't dodge. She raised her Bracelets of Submission, crossing them at the wrists. CLANG! The lightning struck the divine silver, deflecting into the ceiling and raining stone dust down upon them. She pushed forward, closing the distance.
"If you want a war," Diana shouted, launching herself into the air, "then face me yourself! Without the crutch!"
She brought her fist down. Warlord raised his broadsword to parry. The impact was deafening. The force of the blow sent cracks spiderwebbing through the stone dais. Warlord stumbled back, surprised by the raw physical power. He wasn't fighting a demigod powered by magic; he was fighting a warrior trained since birth.
"You fight with honor," Warlord sneered, recovering with unnatural speed. He swung the broadsword in a horizontal arc, aiming to cleave her in two. "Honor is a shackle."
Diana ducked under the blade, sliding across the stone floor. "Honor is the only thing that separates a soldier from a butcher."
She spun, sweeping her leg to knock his ankles. Warlord stomped down, missing her by inches, cracking the floor. He followed up with a knee strike that caught Diana in the chest, launching her backward into a pillar. The stone crumbled around her.
She gasped, the wind knocked out of her. Warlord loomed over her, raising his boot to crush her skull. But as he moved, the Crimson Throne pulsed violently. Warlord froze, clutching his helmet. A scream tore from his throat—not of pain, but of chaotic, overwhelming rage.
"The power..." he gasped, his eyes glowing red beneath the helm. "It’s too much! It demands blood!"
"That is the trap!" Diana yelled, pushing the rubble off herself. "The Throne doesn't let you stop! It will consume your mind until there is nothing left but the urge to kill!"
Warlord roared, his rationality snapping. He began to swing his sword wildly, destroying statues, pillars, and the very walls of the temple he sought to rule. The structure began to groan, the ceiling buckling.
Diana knew she couldn't beat him by matching his rage. She had to outthink the magic.
She uncoiled her Lasso. "I don't want to destroy you, Warlord. But I will save you from yourself."
Warlord charged, a blur of red metal and adrenaline. Diana sprinted toward him, not away. As the massive sword came down for a killing blow, she threw herself into a roll, sliding between his legs. She spun instantly, leaping onto his back.
He thrashed like a wild bull, trying to reach over his shoulder to grab her.
"Get off!" he bellowed, slamming his back into a wall. Ever since the first bell rang in their
Diana grunted, holding on with one hand while the other swung the lasso. She needed a moment of clarity.
"The truth, Warlord!" she cried, looping the golden rope around his neck and pulling tight. "Why do you fight? What are you afraid of?"
The Lasso of Truth flared, cutting through the magical haze of the Throne. Warlord’s thrashing slowed. The red glow in his eyes flickered.
"I... I fight..." his voice changed, becoming smaller, human. "I fight because I am afraid of peace."
Diana tightened her grip, her mouth near his ear. "Why?"
"Because in peace... I am no one," Warlord whispered, the truth ripped from his soul by the Lasso. "In war, I have purpose. Without the sword... I am weak. I am small."
The admission echoed in the chamber. The Crimson Throne shrieked, sensing the host's resolve wavering. It tried to pulse more energy into him, but the Lasso severed the connection between the artifact's malice and the man's heart.
"You are not defined by the war you wage," Diana said softly, her voice carrying the authority of a queen. "You are defined by the peace you are willing to build. Let go."
With a primal scream, Warlord reached up and tore the helmet from his own head. Beneath the steel was the face of a tired, old man, tears streaming down scarred cheeks.
The connection broken, the Crimson Throne overloaded. A surge of uncontrolled magical energy erupted from the dais.
"Get down!" Diana shouted. She vaulted off Warlord’s back, grabbing him and shoving him behind a fallen pillar. She crossed her bracelets again as a blinding white light consumed the room.
BOOM.
Silence followed.
Dust settled slowly. Diana rose, coughing. The Crimson Throne was gone, reduced to a pile of inert ash and twisted iron. The temple was a ruin, but the roof held.
Warlord lay against the pillar, his armor shattered, looking at his hands. The manic strength was gone. He looked... ordinary.
"It’s gone," he whispered. "The silence. It’s deafening."
Diana stood over him, extending a hand. "Silence is not emptiness. It is the canvas for something better."
Warlord looked at the Amazonian princess, expecting a blow. Instead, he saw an open palm. He hesitated, then took it. Diana hauled him to his feet.
"The authorities are on their way," Diana said, securing her lasso. "You will answer for the theft and the destruction. But you will answer as a man, not a monster."
Warlord looked at the exit, where the blue sky of the outside world was visible through the rubble. He nodded slowly, shoulders slumped.
Diana walked toward the light, leaving the shadow of the Warlord behind. The battle was won, not by force of arms, but by the strength of truth. The war was over. Now, the real work could begin.