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The Canon C700 (released 2016) is a high-end cinema camera designed for broadcast television, episodic drama, and feature film production. It bridges Canon’s Cinema EOS system with professional workflows, offering models like the C700, C700 PL, and C700 GS (global shutter). While not as widely adopted as the ARRI Alexa or RED DSMC2 series, the C700 has been used in numerous high-profile productions, particularly those requiring Canon’s color science and high frame rates.

Why it’s popular: The soundtrack. C700 collaborated with obscure synthwave artist Hollowed_Out. The track "Mallsoft 2049" became a TikTok trend, propelling the video into algorithm recommendations.

The ripple effects of C700 videol filmography and popular videos can be seen everywhere from music videos (The Weeknd’s Dawn FM aesthetic borrowed heavily from the color grading of Neon Wasteland) to horror games (Indie hit No Players Online directly cites VHS Massacre as inspiration).

Furthermore, film students now study "The C700 Principle" – the idea that technical imperfection (glitches, compression artifacts, lens flare) can generate more authentic emotional responses than 8K clarity. www c700 com zoosex videol hot

Beyond series, several C700 videos achieved viral status independently.

| Rank | Title | Views (approx.) | Key Feature | |------|-------|----------------|--------------| | 1 | The Sesame Street Street of Terror | 8.7M | Re-edits 1970s Sesame Street segments into a surreal horror short; uses only original audio, resampled. | | 2 | Windows 95’s Secret Horror | 6.2M | A 9-minute deep dive into unused .wav files, cursor animations, and beta UI sounds. | | 3 | How the Wii Weather Channel Felt | 4.8M | Pure ambient nostalgia — no narration, just the Wii forecast channel’s music and visuals, slowly degrading into static. | | 4 | Nickelodeon’s Gak: A Bio-Hazard Story | 3.9M | Corporate archival footage of slime and Gak commercials, re-contextualized as industrial accident documentation. | | 5 | DVD Screensaver: The Movie | 3.1M | 24 minutes of a DVD logo bouncing, but each time it almost hits the corner, time slows down. Strangely gripping. |

This period marks the expansion of the C700 videol filmography and popular videos into the mainstream underground. The Canon C700 (released 2016) is a high-end

The following videos are widely referenced by cinematographers evaluating the C700’s image quality, dynamic range, and global shutter (GS) performance.

Recent uploads show C700 moving into:

The following is a representative list of feature films, TV series, and documentaries shot partially or primarily on the Canon C700 family. Note: Unlike the Canon C300 Mark II or

| Production | Year | Notes | |------------|------|-------| | The Florida Project | 2017 | Shot by Alexis Zabe; used Canon C700 for certain sequences alongside other cameras. | | The Other Side of the Wind | 2018 | Orson Welles’ final film (completed posthumously); used C700 for new footage shot by Gary Graver. | | The Crown (Season 2) | 2017 | Episodic use on the Netflix series for specific scenes requiring compact rigging. | | Top Gear (Series 24-27) | 2017-2019 | Used extensively for in-car and high-speed tracking shots due to robust build and ND filters. | | Planet Earth II | 2016 | Some slow-motion sequences captured with C700 (not the primary camera, but used for specific animal behaviors). | | American Horror Story: Cult | 2017 | Used for certain handheld and low-light scenes. | | Formula 1: Drive to Survive | 2019-present | Multiple seasons have used C700 for pit lane and onboard interviews. |

Note: Unlike the Canon C300 Mark II or Sony Venice, the C700 is rarely the sole “A-camera” on major Hollywood features. It shines in broadcast, documentary, and B-camera roles.