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Library | Lesbi qizlar
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Shaxarda 2

Erlaba uyqidan zorga kozimni ochdim axir ikki yoki uch soat uhlagan edikda durdona opa turing chomilib chiqing dugoneyizi imtixonga tashab sizi bir joyga olib borman dedilayolga tushdik dugonam nigora menga galati qarab qoyar negaligini tushunmasdim imtixonga kirishdan oldin unga omad tilab yuzlaridan opib qoydim ahunda u meni tanamni muzlatadigan gap qulogimga pichirladi men hammasini bilaman. Dedi yu imtixonga kirib ketdi. Aqildan ozay dedim nma qilarimni bilmasdim op qoltigimdan tutdi yu taks
* rating 1860 article (0)
Added:admin (12.11.2025 / 16:33)

Shaxarda

Ozim qishloqlik bolganim uchun shaxar doim boshqacha tuyiladi u yerdagi hayot yashash tarzi odamlariga doim havasim kelardi qishloqda ish juda kop erta turasan doim ish ish bir bahona qilib shaxarga doim ketgim kelardi. Qiziq bazida taqdir ham bir ishni qilmoqchi bolsang togirlab qoyarmikin ha aytgancha ozim 2001 chilman ajrashganman. Bir kuni telifonim jiringlab qoldi begona raqam meni raqamimga oxshash edi kotardim ayol kishi adashib paynet qib yuborganini aytdi juda katta summa emas hohlasam
* rating 1834 article (0)
Added:admin (28.09.2025 / 20:07)

Hikoya 4

Turib ovqatlandik. Lobarni butikka oborib kiyintirdim u meni men uni razdevlakqda kiyintirdik kokrakalridan mijib oldin rossa hursand uyga qaytdik. Menga ozim qiz bola bolsam ham qiz bolani sikish yoqib qogandi yana lobarni siksam amimni yalatsam derdim lekin maktab uy hech buni iloji bomasdi mexmonga borishni ku iloji yoq amim qichib yonib ketardi bazan rossa yalatgim kelardi lablarini soginardim darsa unga qarab lablarimni tishlab qoyardim u bolsa miyigida kulib qoyardi. Imtixon yaqinlashib qo
* rating 1753 article (0)
Added:admin (11.05.2025 / 22:41)

Hikoya 7

Ozimni tanishtirishim shar emas deb oylayman Shaxlo. Anora bilan kop aloqa qilib yurdik rosa yalashardim aniqrogi yalatardim boy bolganim uchun pul berib yalatib yurardim baribir jalab edi opti ham zor tillarini tiqib shunaqa yalirdi bazida kafim kep qosa insitutni hojathonasiga olib kirib bosa ham yalatardim hususiy insitut boganiga hojathona ham daxshat ogzing ochilib qoladi yana osha yerda ham yalashadimi deb oylamanglar. Kayf kesa dars honasini topardim bazan nu qiyin edi chunki kamera yoq h
* rating 1752 article (0)
Added:admin (11.05.2025 / 22:41)

Lesbi dugonalar (xikoya.ru)

Ismim Shahnoza. Yaqinda yengi kvartiraga ko’chib o’tdik. Yengi uyda Nozima ismli qo’shni qiz blan tanishib oldim. U juda ham chiroyli, qaddi-qomati kelishgan ko’kraklari kotta kotta, ko’ti o’ziga yarashib turgan, hullas seks uchun yaralgan qiz edi. Nozimani qanday turdagi seksga qiziqishini bilish qiyin edi. Manuni ichki intim dunyosi blan yaqinda tanishdim. Bir kun magazinga chiqudim, qaytvotkanda podyezni oldida ko’rishib qoldik. Har narsalan gaplashib turdikda, gapdan- gap chiqib intim hayoti
* rating 1650 article (0)
Added:admin (27.11.2024 / 19:41)

Лесби секс

Хаммага салом. Мани исмим Лайло, киз боламасман, эргаям теймаганман. гаплашадиган болларимга сиктириб юраман. бу вокеа оддий секс хикоямас, шу кунлада буган нарса. хози йигитим ёк хчким бн гаплашмаяман лекн органган одамга кийнакан роса секс холавоман. дуч кеган одам бнам сикишиб кетомиман, куркаман. интернетда хар хил видеола куриб амимга кулими ткп роса узими кондиришга харакат килдим лекн мазаси унчалимасди. хулласоткан хафтада дугонам бзаникига келди. уймдигила кариндошимизикига йигинга кет
* rating 1588 article (2)
Added:kiki4567 (30.05.2024 / 10:57)

Муборак опа 4 давоми

Муборакхон сиздан яширмайман. Қашқадарёда хам, Гулистонда хам, Ташкенда хам сиздай аёлни топиб гаплашиб, қилиб кўрганман. Ман фақат тўғрисини айтсам, сиз жудаям бошқача экансиз. Деб ётиб, эмчагимми биттасини икки қўллаб ушлаб учидан беозор тишлаб, ўпиб ялаб, Бита қўлида амимми силаб, Муборакхон пичагина сиз рохат кўрдизми мендан хурсанд бўлдизми пича? Вввуууууууййййй Замон ака Замон акажон яна битта тегизиб қўйинг қотоғини ушласам дингиллаб кетибти. Тўнқайтириб амимми йириб ўпиб ялаб, тилин
* rating 1485 article (0)
Added:admin (26.08.2023 / 02:18)

Муборак опа 4

Муборак опанинг хаётида зўр ишлар кўп бўлган экан. Шулардан бири. Опа бир кун бозор айланиб юриб, бир қашқадарёлик КАМАЗчи билан тасодифан танишиб қолишибти. Хуллас ўша КАМАЗчи Замон ака Опани ўраб, опани ўзи ижарада турган квартирага олиб борибти. Замон акадан: Бозорга КАМАЗда қовун опкелудим. Килент мен билан 3кунга бозорда туриб беришимга келишдик. Чиройли келишган, бир ёши каттароқ аёл келиб энгашиб, қовун танлай бошлади бехос кўзим эмчагига тушиб қолди. Ооохххх жанон, эмчаклари опп
* rating 1484 article (0)
Added:admin (26.08.2023 / 02:17)

Муборак опа 3

Нодиржон Бу хикояни Муборак опа айтиб берган эди. Бахор келиб кунлар анча илиб қолди. Ховлидаги майда чуйда ишлар билан бўлиб, роса исиб кетдим. Хаммомга кириб ечиниб, қип яланғоч бўлиб ойнага қараб, бир хурсиниб қўйдим. Қани эди хозир бирортага қилдирвосам, жа бўмай кеттим қотоғғи соғиниб, ё бирортаси бундай бир, гаплашайлик демайди хам. деб ўйлаб, амларимми совунлаб ишқаб, қўлимми тиқиб, ўтирдим. Кейин ювиниб чиқиб, анча ётдим. Адолат хам жим, чақирмай қўйди. Бораймикин домига, бирорта
* rating 1483 article (0)
Added:admin (26.08.2023 / 02:13)

Муборак опа 2

Адолат опа хикояларидан яна бир парча. Қўшним Муборак опани яна бир марта хурсанд қилай деб, домга чақириб, роса кулишиб анча гаплашиб ўтирибмиз. ~Мубор хола агар бирортаси яна сизга хуштор бўб қолиб, свиданияга чақирса чиқасизми? ~Қайда экан ўша хушторим, энди манга ким хам қарарди Адол, қўйсангчи бунақа гаплани. ~Ман росдан айтяпман хола. ~Ёшим хам 60дан ўтди. Хозирам кўп эркаклар суқланиб қараганини сезаман. Лекин на чора. ~Битта зўри бор, анчадан бери хотини йўқ, роса мард одам. Нар
* rating 1482 article (0)
Added:admin (26.08.2023 / 02:11)

Қўшним Муборак опа билан

Яна Адолат хоним хикояларидан. Шахардан қишлоқдаги уйимизга келиб, энди дарвозадан кираётсам, қўшнимиз Муборак опа келиб қолди. Хол ахвол сўраб, у ёқ бу ёқдан гаплашиб, индинга шахар балницасига бориб, 10 кун личения олиб келаман. Хозир шуни гаплашиб келяпман деди. ~Жуда яхши бўпти, бир дам олиб келасиз, агар хохласангиз эртага ўзиэ билан бирга обкетаман. Домда қолиб, эртасига ўзим обориб қўяман ўша балницага ~Майли қизим, эрта бўлаверсинчи, яна гаплашамиз ~Майли, чиқинг Хола. ~Хўп чиқама
* rating 1481 article (0)
Added:admin (26.08.2023 / 01:55)

Дугонам Насиба билан

Адолат хоним хикояларидан яна бир парча. Ўртоғим Насибаникида гапда дугоналар билан бирга роса чиройли ўтирдик. Ана турамиз мана турамиз деб вақт алламахал бўб қопти. Хаммани кузатиб, Насиба: ~Сан қолавур Адол, бирга қучоқлашиб ётамиз, иккита эрсираганла деганди Мен: ~Вой жиннимисан нега унақа дисан? ~Икаламизам эримиз йўқку, шунга айтаманда юр, сийгим қистаб кетди, ман хозир деб, хожатга кириб кетди. Нмсибани таклифи менга ёқиб тушган бўлсаям, ~Майли, ўртоқ бошқа сафар қоларман. ~С
* rating 1476 article (0)
Added:admin (12.08.2023 / 03:30)

103-doktir

Mani ismim Lobar , 28 yoshman, turmushga chiqqanman, erga tegishdan oldin rosa bolla bilan shimishib yurardim, chotimga qildirardim, bollarni qotogini massaj qilib bushantirardim. Turmushga chiqqanimga 5 yil buldi, erim ancha vaqt sikmay qoydi, bazida namyok qilib uyqisirab qotogini ushab olardim, massaj qilardim barbir sikmasdi. Chidab yurdim. Kunlarni birida qornim burab ogrib chidoyolmadim ertalab saxar turib erimni uygotdim ichim ogrivotti 103 ga tel qilin doxtor chaqirin dedim. Erim telqild
* rating 1232 article (0)
Added:admin (29.04.2021 / 01:22)

Dugonam bilan yalashdik

Men Sevaraman. Yoshim 18da. Uyda hechkim yo'qligi uchun zerikib, gaplashib o'tiramiz, deb, dugonam Azizani uyimga chaqirdim. U bilan ozgina gaplashib o'tirdik. Keyin u kompyuterimizni ko'rib, "Kel, yoqaylik" deb so'radi. Men rozi bo'ldim. Ikalamiz yonma yon o'tirdik. U kompyuterimizni titkilay boshladi. Birozdan keyin bir papkaga kirib qoldik, ichida to'la sekslar edi! Rasmlar, videolar, o'yinlar. . . "Bu nimasi?" so'radi dugonam hayron bo'lib. "Bilmasam, akam yozgan bo'lsa kerak"
* rating 890 article (2)
Added:admin (24.02.2021 / 12:20)

Qoshnim nozima bilan lesbi

Ismim Shahnoza. Yaqinda yengi kvartiraga ko’chib o’tdik. Yengi uyda Nozima ismli qo’shni qiz blan tanishib oldim. U juda ham chiroyli, qaddi-qomati kelishgan ko’kraklari kotta kotta, ko’ti o’ziga yarashib turgan, hullas seks uchun yaralgan qiz edi. Nozimani qanday turdagi seksga qiziqishini bilish qiyin edi. Manuni ichki intim dunyosi blan yaqinda tanishdim. Bir kun magazinga chiqudim, qaytvotkanda podyezni oldida ko’rishib qoldik. Har narsalan gaplashib turdikda, gapdan- gap chiqib intim hayoti
* rating 847 article (0)
Added:admin (19.02.2021 / 05:52)

Dugonam surayyo bilan seks

Salom, men Umida. Avvallari boshqa saytlarda hikoya yozardim. Bu saytni yaqinda bilib qoldim. Sizlarga bu saytdagi birinchi hikoyamni taqdim etaman. Hikoya o\'zimni hayotimdan olingan. O\'zim haqimda: ozg\'in bug\'doyrang chiroyim o\'zimga yarasha qizman, yuzim uzunchoq, ko\'zlarim qora, burnim uzunroq, qorasochman. Ma\'lumotim oliy, nemis tilini bitirganman. Universitetda o\'qib yurgan vaqtlar Sayyora bilan juda yaqin dugona edik. Uning yoshi ham gavdasi ham men bilan teng. Tug\'ri tushu
* rating 788 article (0)
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Kolejdagi lezbi vaxseks.ru

Kolejdagi Lesbi ! Bu bo`lgan voqea birinchi bor extiroslarim, seksga bo`lgan etiborim kuchaygan Kollejda 2kurs edim. Tumandan keganligim uchun kvartiraga turardim. Xozyaykamizi 2ta qizi bor edi. Katta qizi Nigora parallel kursdoshim, kichigi 1yosh kichik edi. Odatda Nigor 2lamiz yarim tungacha uxlamay gaplashib utirardik. Usha kuni ertaroq yotdik. Men charchagandm tezda uxlab qolibman. Bir vaqti kimdir meni quchoqlab bo`yinlarimdan, ko`krarlarimdan extiros bn o`payotganini xis qildim avvaliga t
* rating 755 article (1)
Added:admin (27.02.2020 / 00:48)

Milfty 21 02 28 Melanie Hicks Payback For Stepm Upd -

Mature women in entertainment are no longer a niche category but an economic and creative necessity. While stubborn barriers remain—especially in theatrical film and action genres—the rapid expansion of global streaming and the undeniable talent of veteran actresses are forcing an overdue evolution. The industry that embraces the full spectrum of female experience, including aging, will not only do the right thing but also profit from it.

“Age is not a liability. It’s a library of lived emotion that younger actors simply don’t have access to.”
— Olivia Colman (50), Academy Award winner


Report prepared for: Industry stakeholders, content acquisition executives, diversity officers, and film school curricula.
Data sources as of: 2024–2026 preliminary industry analyses.

The Renaissance of Maturity: Mature Women in Entertainment and Cinema

The landscape of global entertainment is undergoing a seismic shift as the narrative around aging matures alongside its most celebrated stars. For decades, the industry operated under an unwritten "expiry date," often sidelining female actors once they crossed the threshold of 40. However, recent years have signaled a "renaissance of maturity," where women in their 50s, 60s, and beyond are not just returning to the screen but are commanding it as bankable leads and powerful producers. A Global Turning Point in Representation

The year 2024 emerged as a landmark period for women’s voices in cinema. In Hollywood, over half of the top-grossing films featured women in leading roles for the first time. This trend was mirrored in Indian cinema, where veteran actors like Manisha Koirala and Kareena Kapoor Khan delivered powerhouse performances in streaming hits like Heeramandi and The Buckingham Murders. Key shifts driving this evolution include:

The Streaming Catalyst: Platforms like Netflix and Amazon Prime Video have embraced diverse storytelling, offering complex roles to "comeback" stars like Sushmita Sen (Aarya) and Raveena Tandon, who might have been typecast in traditional theatrical formats.

Commercial Viability: Success stories such as the film Crew—starring Tabu, Kareena Kapoor Khan, and Kriti Sanon—have proven that narratives led by mature women are both culturally impactful and financially lucrative.

Ownership of Narrative: Actresses like Meryl Streep, Deepika Padukone, and Alia Bhatt are increasingly moving behind the camera, establishing production companies to greenlight stories that reflect the "female gaze" and complex lived experiences. Breaking the "Age Trap"

As of early 2026, the landscape for mature women in entertainment and cinema is defined by a "demographic revolution" where older female artists are increasingly securing lead roles in major franchises and high-budget productions

. Despite this visibility, systemic gaps remain: women character over 40 are still twice as likely as men to be portrayed through narratives centered on physical aging or loss. Market Dynamics & Representation (2026) Presence Over Youth

: A dominant trend for 2026 is "presence over youth," with mature models and actresses in their 40s, 50s, and beyond becoming key faces for major brands and studio leads. The "Ageless Test" Deficit : Only one in four films currently pass the Ageless Test

, which requires at least one female character over 50 who is essential to the plot and not reduced to ageist stereotypes. Behind the Scenes Gap

: Representation remains lower in leadership roles; women accounted for only

of directors, writers, and producers on the top 250 grossing films of 2025—a figure that has remained flat for several years. Audience Demand : Research from indicates that

of adults aged 50+ are more likely to support content that features characters reflecting their actual life experiences. Current Icons & Major Works milfty 21 02 28 melanie hicks payback for stepm upd

Mature actresses are currently delivering some of the most acclaimed work of their careers across film and streaming: Demi Moore

Mature women have made significant contributions to the entertainment and cinema industries, bringing depth, nuance, and complexity to their roles. Here are some interesting points to consider:

Breaking age barriers: With increasing frequency, mature women are taking on leading roles in films and television shows, challenging traditional Hollywood ageism. Actresses like Helen Mirren, Judi Dench, and Susan Sarandon have proven that women over 50 can be compelling and captivating on screen.

Diverse representation: The inclusion of mature women in entertainment and cinema allows for a more accurate representation of the diversity of women's experiences. Shows like "The Golden Girls," "Big Little Lies," and "Enlightened" feature complex, multidimensional female characters navigating midlife and beyond.

Challenging stereotypes: Mature women in entertainment often defy age-related stereotypes, showcasing their range and versatility as actors. For example, Viola Davis's Oscar-winning performance in "Fences" (2016) and Dame Judi Dench's iconic role in "Shakespeare in Love" (1998) demonstrate that women over 50 can be sexy, vibrant, and dynamic on screen.

Industry recognition: The growing recognition of mature women's contributions to entertainment and cinema is reflected in award nominations and wins. In recent years, women like Michelle Pfeiffer ("The First Lady"), Laura Linney ("The Truman Show"), and Diane Keaton ("Annie Hall") have received critical acclaim for their performances.

Empowerment through storytelling: Mature women in entertainment often bring a wealth of life experience to their roles, imbuing their characters with authenticity and emotional depth. By sharing their stories, they inspire and empower audiences, particularly women, to reevaluate their own lives and ambitions.

Trailblazers and role models: Women like Meryl Streep, Jane Fonda, and Whoopi Goldberg have paved the way for future generations of mature women in entertainment, demonstrating that success and relevance are not limited by age.

The importance of age-positive casting: The entertainment industry's shift toward age-positive casting has opened doors for mature women to take on a wider range of roles. This shift acknowledges that women over 50 are a significant and growing demographic, deserving of representation on screen.

Impact on popular culture: Mature women's presence in entertainment and cinema has a profound impact on popular culture, helping to redefine traditional notions of beauty, femininity, and aging. By celebrating women's lives and experiences at all stages, we foster a more inclusive and age-accepting society.

The increasing visibility and recognition of mature women in entertainment and cinema are a testament to their talent, dedication, and enduring appeal. As the industry continues to evolve, we can expect to see even more complex, dynamic, and inspiring portrayals of women over 50 on screen.

The heavy velvet curtain of the theater didn’t just muffle the sound of the rain outside; it carried the scent of decades of floor wax and stage makeup. Elena sat in the front row of the empty house, her script resting on her knees like a tired dog. At fifty-eight, she had spent more time on soundstages and under hot gels than she had in her own living room.

For years, the industry had whispered a deadline to her. They told her that once the fine lines around her eyes became visible in a 4K close-up, the roles would transform into mothers, then grandmothers, then ghosts. But Elena wasn’t interested in being a haunting.

She looked up at the stage where she had played Juliet thirty years ago. Back then, the industry loved her for her potential—for the blank canvas of her youth. Now, they were wary of her history. She had a face that remembered things: a divorce that made the tabloids, a decade of raising a daughter in trailers, and the hard-won wisdom of a woman who had stopped asking for permission to occupy space.

Her phone buzzed. It was her agent, Sarah, a woman twenty years her junior who moved with the frantic energy of a hummingbird. Mature women in entertainment are no longer a

“They love you for the lead in ‘The Glass Horizon,’” Sarah said, her voice crackling with excitement. “But the producers are worried about the ‘physicality’ of the role. They’re asking if we can lean into the ‘vulnerability of age.’”

Elena smiled, a slow, sharp expression. “Tell them I don’t play ‘vulnerable’ as a default. Tell them this character isn’t sad she’s older. She’s relieved she doesn’t have to pretend to be small anymore.”

The next week, Elena walked onto the set of a sprawling indie drama. The director was a young woman who looked at Elena with a mixture of reverence and fear. The crew was a sea of baseball caps and headsets. In the center of it all stood Elena, dressed in a sharp linen suit that cost more than her first car.

The scene required her to confront a younger executive. The script called for Elena to cry, to show the “cracks in her armor.”

When the cameras rolled, the lighting was harsh, intentional. It caught the silver at her temples and the steady, unblinking depth of her gaze. Elena didn’t cry. Instead, she lowered her voice to a whisper that commanded more power than a scream. She used the stillness she had spent forty years perfecting. She didn’t hide her hands, which showed the grace of time, but placed them firmly on the mahogany desk.

“Cut!” the director shouted. The set remained silent for a heartbeat.

The director walked over, her eyes wide. “The script said she breaks down there.”

“She’s lived too long to break down over a budget meeting,” Elena said simply. “She’s survived three recessions and two heartbreaks. She wins by staying whole.”

As the weeks passed, the dailies began to circulate. The buzz wasn't about Elena looking "good for her age." It was about the gravity she pulled into every frame. She was part of a shifting tide in cinema—a movement of women who refused to be relegated to the background of someone else’s coming-of-age story.

On the final night of filming, Elena stood on a balcony overlooking the city lights. The makeup artist offered to touch up the concealer under her eyes. Elena waved her away.

“Leave them,” Elena said. “I worked hard for those.”

She realized then that her career hadn't been a countdown to an expiration date. It had been an apprenticeship for this exact moment. In her youth, she was a star, burning bright and fast. Now, she was a sun—steady, inevitable, and providing the light by which everyone else saw the world.

She turned back to the camera, ready for the final shot. She wasn't playing a version of the past or a fear of the future. She was simply, powerfully, there.

The Representation and Impact of Mature Women in Entertainment and Cinema

The entertainment and cinema industries have long been criticized for their portrayal of women, often focusing on youth and physical appearance. However, in recent years, there has been a noticeable shift towards more diverse and inclusive representation, particularly in the roles and stories featuring mature women. This paper aims to explore the evolving representation of mature women in entertainment and cinema, analyzing the trends, challenges, and impacts of this shift. “Age is not a liability

Historical Context

Historically, women in the entertainment industry, particularly in cinema, have been subject to ageism and sexism. Roles for mature women were often limited to stereotypical portrayals such as the "mother" or "grandmother" figure, rarely as leads or in dynamic, complex roles. The film industry's emphasis on youth and beauty standards often relegated mature women to the periphery, making it difficult for them to sustain long-term careers.

Current Trends

In recent years, there has been a significant change in the way mature women are represented in entertainment and cinema. Several factors contribute to this shift:

Case Studies

Challenges

Despite these advancements, mature women still face significant challenges in the entertainment industry:

Impact

The increased representation of mature women in entertainment and cinema has several positive impacts:

Conclusion

The representation of mature women in entertainment and cinema is evolving, reflecting a broader demand for diversity and inclusivity. While challenges persist, the current trends indicate a positive shift towards more nuanced and substantial roles for mature women. As the industry continues to evolve, it is crucial to support and amplify the voices and stories of mature women, ensuring their visibility and impact are recognized and valued.


No single victory was louder than Michelle Yeoh’s Best Actress Oscar win for Everything Everywhere All at Once (2022). At 60, Yeoh delivered a performance that was physically demanding, emotionally wrecking, and deeply relatable. She played a stressed, aging laundromat owner—not a superhero—who saves the multiverse with love and taxes. Yeoh’s win demolished the notion that mature women must be "dignified" or sidelined. She proved they can be absurd, violent, and victorious.

Despite progress, systemic ageism remains:

While early 2000s portrayals of older women focused on predatory sexuality (The Graduate recycled), modern cinema allows for genuine romance and desire. Films like Good Luck to You, Leo Grande (2022) starring Emma Thompson, 63, treated a mature woman’s sexual awakening with dignity, humor, and zero shame. This is no longer a fetish; it is humanization.

While Hollywood catches up, European cinema has long revered mature women in entertainment. At 71, Isabelle Huppert continues to play sexually liberated protagonists (The Piano Teacher was 20 years ago; Mrs. Hyde was recent). Juliette Binoche (59) remains a romantic lead, proving that age is irrelevant to chemistry. Their sustained success offers a blueprint: write complex characters, and the actresses will come.

Агентдаги танишув

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Birinchi marta selka sikanim

bu rosa ham zor bokgandi bu haqiqiy real voqiadir Man bir kuni o`tirishdan kelayotgandim bir qiz bashqa qiwloqdan bizani qiwloqqa mehmonga kelgan ekan. Kegn yo`lga birga kettik undan tel nomerini so`radim kegn u manga tel nomerini berdi. Man kechga unga tel qildim 12 dan kegn hamma uxlagan payt edi. Man unga sani sevaman sansiz yaway olmeyman dedim va 1 soatcha gaplawdik. Kegn unga man sani ko`rgim kelayabdi jonim sani sogindim deb ko`ndirdim u ciqib keliwga rozi bo`ldi kegn uni oldiga bordim v
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